Author: sömeone
Date: 2005-10-17 11:26
I think the main reason most people won't recommend du gu in most cases is because you have to overcome the difficulty factor of controlling the tongue first, cleaness of articulation being the priority, and maybe du gu comes later as an alternative for a different sound when the need arises, just as simple as that.
I think i would really like to learn circular breathing someday, i still struggle with the 2nd movement solo in Tchai 4th, unless i am willing to sound awful. =p
Anyways, are there any methods out there which focuses on tonguing ability written especially for oboe? I find this quite intriguing, because tongue articulation still seems to be a mystery to me.....
|
|
The Oboe BBoard
.jpg){kind=small}
