Author: ohsuzan
Date: 2011-12-17 13:32
I do something similar to what Howard suggests, except except I use folded-up cigarette paper under the arms of the upper octave, trill,and linkage keys.
Sometimes I think the answer would be to have two identical oboes (as if there actually were such a thing), so I could have one to play, and one to let dry out for 24 hours between sessions.
Sort of like the old joke about how many Jaguar automobiles you need -- one to drive, one to keep in the repair shop, and one for spare parts.
Susan
Post Edited (2011-12-17 13:50)
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