The Oboe BBoard

The Oboe BBoard The C4 standard

New Topic | Go to Top | Go to Topic | Search | Help/Rules | Smileys/Notes | Log In

Re: The "Flexibility" of Oboes, Tone Color, Reeds and the Player

Author: Wufus
Date: 2009-10-13 17:14

Cooper,

I couldn't agree more. You have excellently addressed an issue that does not seem to talked about much. I have always found it interesting that the stability/flexibility of sound is linked with the stability/flexibility of pitch. I guess when you think about it, it makes sense.

What you have written is spot on. I agree that we as oboists need to understand what level of flexibility we want in our playing. It is especially true when choosing an instrument. Some maker's oboes are less flexible in sound (for those in your "group A") Which may be a good thing for those who want a consistent sound all the time. In this case more of the sound is inherently in the oboe.

Other makers have oboe that are quite flexible. The player can do a lot to change color and tone. But, as you point out sometimes at the expense of some pitch stability. More work for the player but a greater set of tools. Always a trade off.

I play a Rigoutat Expression model which is not talked about much in this country. I live and play in Los Angeles. Mostly orchestral playing. I chose this instrument precisely because of it's flexibility in sound, which to me gives it a lot of character. I have tried a lot of instruments and this one suits me very well. I am in "group B"

Wufus

Reply To Message | Avail. Forums | Flat View

Newer Topic | Older Topic

Topics