The Oboe BBoard
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Author: oboedrew
Date: 2009-09-05 18:44
mjfoboe wrote:
> This is an excellent suggestion which I will definitely
> pursue. And yes - I do sometimes rely of the windows
> to solve tone problems! I probably start them too early
> in the process.
Just to clarify, I do add windows later in the process. Making a reed without windows is just an exercise, a check to ensure the tip is good enough before moving on. I think we long-scrapers sometimes forget that our reeds are just modified short-scrapes. The windows and spine and all that stuff in the back... not really necessary! A reed can be fully functional and can sound beautiful before the knife touches the back.
mjfoboe wrote:
> The trick with the tip is getting it just right -to
> ensure there is no edge to the sound. The
> proportions are crucial - as is the blend.
Precisely! The secret to the sound is in the taper of the tip. I always explain to my beginning reedmakers that the long-scrape evolved out of the short-scrape. Sometimes the curious ones ask me to make them a short-scrape reed to demonstrate. They're usually surprised when my short-scrape reed sounds and feels surprisingly similar to my long-scrape reed! Hehe... we oboists are silly sometimes, arguing about European vs American styles of reedmaking.
Cheers,
Drew
www.oboedrew.com
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mjfoboe |
2009-09-05 16:05 |
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cjwright |
2009-09-05 16:46 |
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mjfoboe |
2009-09-05 17:13 |
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cjwright |
2009-09-05 19:59 |
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oboedrew |
2009-09-05 20:47 |
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mjfoboe |
2009-09-06 03:26 |
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cjwright |
2009-09-06 17:07 |
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oboedrew |
2009-09-05 17:39 |
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mjfoboe |
2009-09-05 18:08 |
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mjfoboe |
2009-09-05 18:13 |
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oboedrew |
2009-09-05 18:44 |
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oboedrew |
2009-09-05 18:48 |
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