 The Oboe BBoard
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Author: d-oboe
Date: 2005-01-04 14:22
I have to agree with SouthPaw on this one:
The whole point of Scala di Seta is that it is quite fast, and difficult; only the best players manage to pull off accuracy AND artistry in an audition. This is what the panel is looking for.
And as for auditions: play what's on the page. In real life playing situations, it's ok to change a few articulations here and there, but for auditions, play exactly what's on the page. Changing articulations would be similar to changing words in a script audition...which obviously isn't acceptable.
As far as tempi, I have heard it at half to 120, and I have heard it at half to 160. It depends on the conductor, but usually a safe speed is 140-150.
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Berceuse |
2005-01-02 23:10 |
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TheSouthpaw |
2005-01-03 04:57 |
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oboeblank |
2005-01-03 16:48 |
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Berceuse |
2005-01-04 01:10 |
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TheSouthpaw |
2005-01-04 01:23 |
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d-oboe |
2005-01-04 14:22 |
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wrowand |
2005-01-04 19:28 |
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oboeblank |
2005-01-04 17:10 |
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The Clarinet Pages
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