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Author: vboboe
Date: 2006-04-17 19:51
Let's see if i'm completely clear about this (and perhaps by restating things, help clarify it even more for anybody who's still in doubt?) -- please comment as needed to clarify even further, eh?
hautboisjj writes:
<<Of course like i addressed before uniformity in sound throughout the registers is a basic aspect in the development of a STUDENT in oboe playing, but when it comes to making music, that shouldnt be a boundary anymore>>
methinketh -- uniformity of sound in all registers, including development of the orchestral standard of dark tone, is a primary tonal goal when training students who're still in the process of acquiring oboe-playing skills
... after arriving at an acceptable standard of general playing excellence, oboe students become oboists, who continue to hone their skills over the years in various professional playing positions
... presumably second and third oboe must consistently produce this standard for their entire existence in these positions, with a relative denial of their own distinctive playing style or tonality in order to blend especially with first (same as singing in choir, one doesn't use operatic voice, one uses choir voice)
... presumably first oboe must consistently produce this standard when playing tutti
... however, when playing solo passages, first oboe could or perhaps ought to be stretching the standard in order to be more musically expressive and individually distinctive is those solo passages
... if oboes are soli in unison, makes sense for all to follow the established standard, but if they're in harmony, it makes an opportunity for all to stretch the standard together
... when playing solo works, any oboe player should put expressive musicality as top priority, and consider maintaining the established standard tonality as a much lower priority
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ohsuzan |
2006-04-14 02:44 |
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d-oboe |
2006-04-14 11:57 |
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ohsuzan |
2006-04-14 12:19 |
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d-oboe |
2006-04-14 14:39 |
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GMac |
2006-04-14 14:45 |
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vboboe |
2006-04-14 16:35 |
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ohsuzan |
2006-04-14 15:33 |
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oboeblank |
2006-04-14 16:11 |
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GMac |
2006-04-15 13:33 |
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oboeblank |
2006-04-17 02:53 |
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GMac |
2006-04-17 03:25 |
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HautboisJJ |
2006-04-14 19:02 |
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d-oboe |
2006-04-19 22:16 |
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ohsuzan |
2006-04-14 21:52 |
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vboboe |
2006-04-15 01:31 |
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vboboe |
2006-04-16 20:32 |
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GMac |
2006-04-16 21:30 |
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vboboe |
2006-04-16 22:24 |
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vboboe |
2006-05-06 18:46 |
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GMac |
2006-05-06 21:57 |
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jendereedknife |
2006-05-21 09:01 |
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GMac |
2006-05-21 18:07 |
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oboeblank |
2006-05-21 18:31 |
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GaryT1957 |
2006-04-15 01:34 |
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sylvangale |
2006-04-15 02:52 |
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ohsuzan |
2006-04-15 04:21 |
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sylvangale |
2006-04-15 05:15 |
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ohsuzan |
2006-04-15 12:58 |
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HautboisJJ |
2006-04-17 06:46 |
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GMac |
2006-04-17 13:04 |
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HautboisJJ |
2006-04-17 17:12 |
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Re: Playing on the Tip/Reed Style new |
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vboboe |
2006-04-17 19:51 |
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ohsuzan |
2006-04-17 19:30 |
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HautboisJJ |
2006-04-18 05:20 |
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HautboisJJ |
2006-04-19 15:25 |
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ohsuzan |
2006-04-19 17:36 |
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HautboisJJ |
2006-04-20 15:24 |
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angela@reedery |
2006-05-01 18:32 |
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ohsuzan |
2006-05-06 22:35 |
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HautboisJJ |
2006-05-07 05:03 |
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GMac |
2006-05-08 12:49 |
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wkleung |
2006-05-09 03:09 |
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GMac |
2006-05-09 03:51 |
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HautboisJJ |
2006-05-08 14:13 |
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GMac |
2006-05-08 23:17 |
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HautboisJJ |
2006-05-09 04:26 |
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wkleung |
2006-05-09 12:06 |
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GMac |
2006-05-09 22:38 |
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wkleung |
2006-05-10 02:49 |
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GMac |
2006-05-10 03:05 |
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