The Oboe BBoard
|
Author: jhoyla
Date: 2017-03-19 11:27
I generally tie-on my blanks in batches of six. I take my time getting the tie-on perfect, so tying only six means I don't over-soak the cane (which can cause it to crack during tying). A perfect blank is an essential first step to a good reed. I use different color threads to identify different batches, though they are pretty consistent - it just helps me "age" them similarly.
I leave the blanks drying vertically for 48 hrs then toss them into my blanks compartment in my reed-making box, where they stay indefinitely - blanks last forever. I find that the longer I leave them the easier it is to get consistent results, but my minimum would be two weeks.
From this point onward I'm pretty ad-hoc. Once I'm down to two good "concert" reeds I start feeling nervous, so I scrape another couple and agonize about which of my "swan-song" reeds to sacrifice to make room in my reed-case ..
J.
|
|
|
saraho |
2017-03-09 16:43 |
|
Barry Vincent |
2017-03-09 23:30 |
|
oboist2 |
2017-03-10 03:11 |
|
veggiemusician |
2017-03-17 13:23 |
|
Re: Reed making routine new |
|
jhoyla |
2017-03-19 11:27 |
|
Barry Vincent |
2017-03-19 12:43 |
|
Arnoldstang |
2017-04-18 07:44 |
|
jhoyla |
2017-03-22 12:11 |
|
GoodWinds |
2017-04-17 06:22 |
|
tgenns |
2017-06-04 03:32 |
|
The Clarinet Pages
|
|