Author: vboboe
Date: 2008-01-03 16:58
<<On another topic, was listening to a recording on TV Galaxie channel of VSO doing Debussy's Clair de Lune (wow, that's a gorgeously beautiful shimmering piece) and among the other solo passages there was the E-Horn and the oboe (and the bassoon), and i certainly could tell the difference between oboe's solo melody playing, and merge-with-the-woodwind or with-strings playing, there's just more 'presence' (projection) in the solo passage -- on same reed i betcha>>
So for you experienced players out there, do you deliberately do ‘something extra’ when playing solo passages compared to merging with the other musicians, and if it’s not a Mystic Secret never to be divulged, what is that ‘extra’ in playing technique?
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