Author: brycon
Date: 2020-05-16 19:03
Quote:
I remember having seen an urtext edition and one spot was interesting: the last phrase that begins with a d-sharp grace note plus a crotchet e, goes on with a triplet d-sharp - d - g. I find it much more uninteresting and even boring than Durand's triplet d - e-flat - g, that sounds so juicy, one of the sweetest moments of the whole piece!
The D natural, which many people still play here, clashes harshly with the piano's G dominant chord.
|
|