The Clarinet BBoard
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Author: Bruno
Date: 2014-05-27 17:59
Post Edited (2014-05-28 01:32)
Bye, folks!
[ This post originally contained a short story by Bruno. Not a bad short story ... Mark C. ]
Post Edited (2014-05-28 01:33)
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Author: Mark Charette
Date: 2014-05-27 18:10
Now Tony's post had something to do with communication and performance - an essential part of making "music" in my book.
How does your post deal with such issues? Perhaps I am dense, but I don't see any correlation.
Pirsig's "Zen and the Art of Motorcycle Maintenance" wasn't about Zen or motorcycle maintenance, but it was. Discussion about the different realities and the approaches to solutions in _that_ book would be apropos in this BBoard.
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Author: Funfly
Date: 2014-05-27 18:13
Well, that's a long post and I did read it all
Martyn Thatcher Mature Student Cheshire U.K.
Clarinet - Yamaha SE Custom
Alto Sax - Yamaha YAS 480
Guitar - Yamaha FG 375-S
Post Edited (2014-05-27 19:12)
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Author: Bruno
Date: 2014-05-27 21:24
Mark Charette:
It has nothing to do with any other post or posters. It is a short story I wrote - among others I've published, hopefully a good one. I was/am not trying to make a point, relate it or compare it to other posts, or criticize anyone.
For those who can dig it out it transmits the message that all is often not as it appears. And that can certainly be applied to making music, can't it? In that regard it is at least as applicable as the other long rambling post you mentioned. And it certainly is applicable to the peculiar characteristics of this board.
If management feels that it should be removed I'll delete it, no hard feelings . . . . well, come to think of it, perhaps just a few.
I'm a little surprised that on a forum that presumably deals with an art form there is so little toleration for variance of opinion and criticisms except in matters of the mechanical aspect of clarinets and their accessories. But I guess I knew that when I signed on.
Responding to your post has just this minute made me realize that there is so much hostility and paranoia here that they outweigh any benefit. I'm sorry for the nice folks. I probably shouldn't be wasting my time here.
So goodbye all, and good luck!
Bruno
Post Edited (2014-05-28 17:24)
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Author: Paul Aviles
Date: 2014-05-27 22:34
Just for the record, I'd say "that's not cool man."
...............Paul Aviles
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Author: cyclopathic
Date: 2014-05-28 02:25
> For those tired of reading about barrels
barrels of monkeys? barrels of fun? barrels of laughs? pork barrels? barrels of fish hooks?
PS and to read it, do I have to be loaded to the barrel?
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Author: Ed Palanker
Date: 2014-05-28 06:20
Roll out the barrel and we'll have a barrel of fun. Set it to music, it could be a hit.
ESP eddiesclarinet.com
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Author: Funfly
Date: 2014-05-28 21:14
I think it's a great idea for a forum theme.
Place a post and invite comments and then immediately delete the original so all we can see are the answers.
Martyn Thatcher Mature Student Cheshire U.K.
Clarinet - Yamaha SE Custom
Alto Sax - Yamaha YAS 480
Guitar - Yamaha FG 375-S
Post Edited (2014-05-28 21:14)
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Author: ruben
Date: 2014-05-29 00:04
As somebody who has made comments on barrels on this forum and who works for a clarinet builder, I am in no position to criticise endless discussions on barrels. Nevertheless, it would be nice to have discussions on interpretation; on musical expression. They do occasionally come up, but as far as I'm concerned, too seldom. I will personally try to get the ball rolling; will never talk about barrels again-will never look at another barrel or even use one!
rubengreenbergparisfrance@gmail.com
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