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Re: c=256

Author: sturmantheyounger
Date: 2007-01-13 20:35

pzar,
I was enroute to my office and was looking at some of these posts on my cell phone; that same thought had popped in my mind! Ive been Hi-Jacked!

But as I was reviewing the thread on my computer, I realized that it hadn't turned into such a bad discussion. I'm very happy to see that this discussion had some how veered into a discussion on geometry and music. Unfortunatly this doesn't fix your problem completly. The division of a string, along with equal tempering, gives you values to how you are approaching that division of a string. That is a whole other string in itself... Just breifing, Bach's discovey of 'well-tempering', one example being his, ofcourse, the Well Tempered Clavier. The pardox lies in the Pythagorean Comma which you can find an example in Johannes Kepler's Harmonice Mundi, or The Harmony of the World.

But back to c256. The discussion, if we are going to have one, of c=256, should be discussed form the standpoint of the human singing voice. Which also, we should start another thread on. I think, if anyone put some thought into it, would come up with the fact that all music and song would be arisen from the human voice.

Ok, so c=256 clarinets. Anyone know where I can find a modernly designed c256 clarinet?
thanks

fidelio magazine
schiller institute

Post Edited (2007-01-14 00:42)

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sturmantheyounger

2007-01-12 17:44