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Re: Windows in oboe reeds

Author: hautbois
Date: 2006-12-03 12:28

Symmetry is not one of my prime goals in reed-making. Consider that even though the two blades of cane come from one piece, there still are variations in grain and density in the two resulting pieces; and consider that the teeth and lips above and below the reed are not identical in shape. Symmetry for me is only a general guideline. If I find a difference in the arc of the blades of cane, I place the more rounded piece on the top to get the most control and best tone.
Like CM, I also play at altitude (my home is at 7700 feet), and also find that shorter reeds (usually 46mm tube with total length of 68mm) produce more stability and a longer-lasting opening. I use a Stevens #2 or Chudnow CA staple, which provides support to the larger opening necessary at altitude. And like d-oboe, I find that a blend from the heart to the windows instead of a cliff works best to produce fluidity of vibration. The thinness of the windows for me is dictated primarily by the fluidity of the low notes.

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Date

Windows in oboe reeds new

Craig Matovich

2006-12-02 21:01