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    | Author: HautboisJJ Date:   2006-10-03 04:13
 
 Interesting....
 
 From what i and many of my teachers have been observing on myself for the past few weeks, i tend to use too much lower lip, which spells disaster when it comes to stamina and flexibility, but as you can imagine, this is a vice versa situation and after weeks of working on tucking in more upper lip and making it work for me, walla! The effects are enormous, and now i can play much more than before.
 
 I myself do not believe in such a thing as a upper/lower lip player because of the nature of the reed itself. Obviously it is a double reed and we scrape both sides equally. I remember a topic from months back mentioning about how dependence on one side of the lip can be advantageous in some aspects (e.g. reed resting on upper lip -> easier soft notes), but i strongly believe that this is technique and flexibility, rather than a permanent distinguished position for reed placement.
 
 I take in little reed, which, i suppose in the US is phillyish, haha. I have a similar situation with you, much more lower lip, BUT, i assume not as serious as the situation you might have. In this case i dare not try to ask of you to try anything but i hope you can 'realise' something from my previous paragraphs. All the best!
 
 
 
 Post Edited (2006-10-03 04:17)
 
 
 
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|  | cjwright | 2006-10-03 02:08 |  
|  | HautboisJJ | 2006-10-03 04:13 |  
|  | vboboe | 2006-10-03 07:47 |  
|  | cjwright | 2006-10-03 10:51 |  
|  | vboboe | 2006-10-04 01:56 |  
|  | Chris P | 2006-10-03 13:14 |  
|  | cjwright | 2006-10-03 13:25 |  
|  | mosh | 2006-10-04 01:32 |  
|  | d-oboe | 2006-10-04 02:07 |  
|  | EuGeneSee | 2006-10-04 13:08 |  
|  | d-oboe | 2006-10-05 01:28 |  
|  | ohsuzan | 2006-10-04 21:14 |  
|  | HautboisJJ | 2006-10-05 03:26 |  
 
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