The Clarinet BBoard
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Author: Paul Aviles
Date: 2020-07-25 22:48
First I would like to appologize for the earlier treatise that may not have been necessary. I read the post more as overarching problem and felt that definition may have been necessary.
I wanted to add that Karl Leister asserted in some of his master classes the beauty and (dare I say) necessity of starting some notes WITHOUT the tongue. I recall specifically a notable loud, chalumeau note on the first page of the Brahms Sonata in F. If you think about it, singers starting on vowels don't have a clear point at the beginning of those notes either.
So I think it is a matter of realizing that tonguing and not tonguing are two different types of "sounds" that you can use to add variety to anything you play. Honestly, besides LOUDER/SOFTER; FASTER/SLOWER; and SHORTER/LONGER, there are not too many more options in our musical tool belt.
...............Paul Aviles
Post Edited (2020-07-25 23:28)
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Maruja |
2020-07-24 20:04 |
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Paul Aviles |
2020-07-24 22:09 |
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smokindok |
2020-07-24 22:50 |
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kchan |
2020-07-24 23:17 |
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Matt74 |
2020-07-24 23:36 |
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Ken Lagace |
2020-07-24 23:43 |
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kdk |
2020-07-24 23:51 |
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Maruja |
2020-07-25 21:57 |
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kdk |
2020-07-25 22:12 |
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Ed Palanker |
2020-07-25 17:39 |
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Paul Aviles |
2020-07-25 22:48 |
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Maruja |
2020-07-27 14:10 |
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kdk |
2020-07-27 16:50 |
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Maruja |
2020-07-27 22:25 |
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kdk |
2020-07-27 23:15 |
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Paul Aviles |
2020-07-28 00:38 |
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Maruja |
2020-07-28 12:13 |
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Tony Pay |
2020-07-28 18:12 |
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Maruja |
2020-07-28 21:54 |
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EbClarinet |
2020-07-29 05:13 |
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Tom H |
2020-07-29 08:35 |
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