The Clarinet BBoard
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Author: Brenda Siewert
Date: 2005-04-18 20:29
Is anyone out there using a Gale mouthpiece? Not the Bay/Gale mouthpiece--just Gale. I just bought one and wonder about them. I've never tried one (imagine that--I've tried hundreds and must have just missed this one).
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Author: David Spiegelthal ★2017
Date: 2005-04-18 20:59
I believe Gale concentrated on sax mouthpieces, so I haven't seen too many of the clarinet variety nor do I know of anyone who plays one (but no doubt somebody does).
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Author: nickma
Date: 2005-04-19 20:08
Hear wonderful things about Greg Smith though never played one. I love Ralph Morgan's Symphonic mpcs and, for greater projection and slightly more purity , Charles Bay's Modele de Triomphe.
Nick
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Author: Ken Mills
Date: 2005-04-19 21:16
Dear Brenda; The Gale and the Bay-Gale (I think both if I remember) have a really high baffle. I had a couple. They had power. Glass mouthpieces have the high baffle too, or course. Sincerely, Ken Mills
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Author: David Spiegelthal ★2017
Date: 2005-04-19 21:23
Ken,
What do you mean by "high baffle"? All the 'glass' mouthpieces I've seen (Pomarico, GG, Selmer Clarion, Vandoren, O'Brien) had standard, classical-style 'deep' baffles. Please elaborate...............
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Author: Ken Mills
Date: 2005-04-20 20:54
Dear David; High baffle meant that that area in the tip does not go very deep. Remember the Selmer C95? It was a monster deep baffle that has a tremedous volume area directly behind the window. The Gale is shallow and it is long down down to the top of the bore. The C95 had a curve that was "long" or not very severe unlike the C85. The latter comes on their clarinets with a #2 reed (brand?) even though the tip is only 1.05mm. Yikes, a soft reed on a relatively close facing. The C95 (1.31mm) on the other hand takes a Marca #2 as does the Vandoran B45 Lyre (their second most open mpc). The long facing will be more reed friendly, you just blow harder with a harder reed, what I like for outdoors. More Power to You, Ken
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