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    | Author: Jerry Date:   2003-06-20 00:00
 
 I recently discovered that my A4 trill key (second from top) is over 30 cents sharp.  How common is this on R-13?  Is this something that can be corrected by a good tech?  Every other note, at least the non-trill keys, seem to be close to in tune, within a few cents.  I missed this one!
 
 Jerry
 The Villages, FL
 
 
 Post Edited (2003-06-21 12:07)
 
 
 
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    | Author: BobD Date:   2003-06-20 12:19
 
 Hmm....haven't heard that before on this BB and guess I have assumed that trill keys aren't  planned to be in tune(with what?). Let's see, enlarge the hole or reduce it......!
 
 
 
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    | Author: Don Berger Date:   2003-06-20 15:31
 
 As a suggestion, if your A and G# are well in tune, you might try slightly reducing the "rise" of the trill key pad by a thiin piece of cork [or springy  plastic "bumper"] under the "touch button"  and check its intonation effect.  Don
 
 Thanx, Mark, Don
 
 
 
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    | Author: Jerry Date:   2003-06-20 17:44
 
 This is particularly strange because using the same A trill key for the alternate B flat fingering is perfectly in tune.  So it must have something to do with the combination of the side G#/A flat key with that trill key.  Wierd.
 
 My tech (who I have just begun e-mail communication with on this item and who has not yet reached a conclusion) indicated that a fix he uses is to shellac the interior of the tone hole, I guess to reduce its diameter to some degree to lower the tone.  But I'd be concerned that it would adversely affect the really nice alternate B flat.
 
 All of this is a compromise, isn't it.  Like enduring the awful side effects of medication versus dying from the ailment.
 
 Don, I will forward your suggestion to him.  Thanks.
 
 Jerry
 The Villages, FL
 
 
 
 
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    | Author: Jerry Date:   2003-06-20 18:06
 
 Don said...
 
 ***"As a suggestion, if your A and G# are well in tune, you might try slightly reducing the "rise" of the trill key pad by a thiin piece of cork [or springy plastic "bumper"] under the "touch button" and check its intonation effect."***
 
 Don...when I (not very carefully) tried your proposed solution (when my teacher suggested it during my lesson 2 days ago) it just seemed to create a fuzzier tone, not a flatter one.
 
 However, when I more carefully tried what you suggested, using greater precision in exactly how high the pad is off the hole, it did flatten the tone without a significant increase in fuzz.  This points out the need for precision, within the tolerances of the thickness of a sheet or two of paper, to achieve the correct effect!
 
 What is going on that makes a "too high pad" make a tone sharper?  Is it the increased air flow or speed that raises the pitch?  Maybe the higher key causes a loss of "simulated" tonehole extension that would otherwise lower the pitch.  Hmmm.
 
 It will be interesting to see how this adjustment effects the pitch or tone of the alternate B flat, if at all.  One can only experiement.
 
 Jerry
 The Villages, FL
 
 
 
 
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    | Author: Don Berger Date:   2003-06-21 01:35
 
 I'm glad your experimentation is showing progress, Jerry, I've done a bit of increasing the "venting" of fuzzy notes on some of my and other's cls, with some success.  My pro-repairer friends told me about it, suggesting I should show them what I had done, for their learning, ?amusement? and correction?? That and tonehole modification are pro jobs IMHO, the acoustic effects are beyond me, but have been [somewhat] described in our clar "good books".  Glad to have been of some help.  Don
 
 Thanx, Mark, Don
 
 
 
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    | Author: Bob Schwab Date:   2003-06-21 03:55
 
 For what it's worth, my Yamaha A4 trill key is also significantly more sharp.  Since it's my B flat key of choice, I'd rather have it play B flat in tune than A.
 
 
 
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    | Author: Liquorice Date:   2003-06-21 12:05
 
 This key is used for trilling from G-A and for an alternative throat B-flat. It's much more important that the B-flat is in tune than the A, and it is most common for this A to be sharp using that fingering. The fingering is not meant to be used to play a sustained throat A. Lip down the trill a bit- trills sound better in tune if the upper note is in tune. If you adjust the intonation for the A to be in tune, then your B-flat will likely be to low.
 
 
 
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