 The Oboe BBoard
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Author: Bobo
Date: 2007-06-17 16:36
CJ, fair enough..that's very interesting...i was referring specifically to Ferrillo's playing on the Mozart Quartet, i'm not familiar with his playing outside of that; note that i said "in the direction", but calling it "light" is probably more accurate; his tone is certainly very round compared to deLancie. Also, the list may be useless, but my understanding is that it's based on feedback from IDRS members themselves, and Stolper did not list himself as a student of Mack, even secondary, though I don't doubt your first hand account of his attribution of tonal concept to Mack (so maybe the list IS useless), plus I've never heard Stolper's playing...what is it like? I would be interested in having a better understanding of Ferdinand Gillet's impact on the American oboe school - maybe it's quite limited...I read on IDRS that he succeed Clement Lenom at the New England Conservatory (years after leaving the BSO); Lenom was apparently a direct student of Georges Gillet as well, but I don't think what resulted was a generation of "French - school" oboists coming out of Boston, so I wonder how that evolved, maybe what we think as the French school of fifty years ago was also a departure away from Gillet, which I think would strengthen his claim as the grand-daddy? I read somewhere that in fact Gillet's successor at the Paris Conservatoire (Bleuzet) did cause a deviation that is now being corrected through global convergence of the oboe sound. This is speculation, of course, I wonder if anyone out there has insights on this? In fact, my primary teacher was a student of Gillet's, but his tonal concept was very dark and round, and not at all French...well, maybe it's time to give him a call after all these decades so I can figure out what my own lineage really is! (no kidding)
Post Edited (2007-06-17 16:52)
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Dwight Manning |
2007-06-13 15:21 |
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Bobo |
2007-06-13 15:58 |
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cjwright |
2007-06-13 17:09 |
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wrowand |
2007-06-13 16:38 |
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cjwright |
2007-06-13 17:00 |
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Bobo |
2007-06-13 17:42 |
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wrowand |
2007-06-13 18:05 |
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cjwright |
2007-06-13 18:10 |
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Bobo |
2007-06-13 18:08 |
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JRJINSA |
2007-06-13 18:42 |
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vboboe |
2007-06-14 08:17 |
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ReedWrecker |
2007-06-16 03:04 |
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cjwright |
2007-06-16 13:50 |
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A.U.K |
2007-06-16 17:02 |
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ReedWrecker |
2007-06-16 20:18 |
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vboboe |
2007-06-16 17:25 |
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cjwright |
2007-06-16 17:47 |
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A.U.K |
2007-06-14 12:10 |
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Bobo |
2007-06-14 12:19 |
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A.U.K |
2007-06-14 12:36 |
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Dutchy |
2007-06-14 15:45 |
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cjwright |
2007-06-14 15:59 |
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Dutchy |
2007-06-14 20:24 |
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Bobo |
2007-06-14 20:47 |
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cjwright |
2007-06-15 03:40 |
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doublereeder2 |
2007-06-15 03:19 |
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Bobo |
2007-06-15 03:57 |
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JudyP |
2007-06-15 05:21 |
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A.U.K |
2007-06-15 07:47 |
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Bobo |
2007-06-16 21:03 |
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A.U.K |
2007-06-16 22:53 |
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ohsuzan |
2007-06-17 01:06 |
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cjwright |
2007-06-17 02:39 |
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A.U.K |
2007-06-17 07:30 |
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ohsuzan |
2007-06-17 14:11 |
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A.U.K |
2007-06-17 16:35 |
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Bobo |
2007-06-17 14:21 |
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cjwright |
2007-06-17 15:26 |
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Re: Elizabeth Koch, ASO principal oboe new |
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Bobo |
2007-06-17 16:36 |
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Bobo |
2007-06-17 17:04 |
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cjwright |
2007-06-17 23:30 |
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Bobo |
2007-06-18 02:15 |
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cjwright |
2007-06-18 02:57 |
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Bobo |
2007-06-18 12:55 |
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GoodWinds |
2009-03-04 08:15 |
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The Clarinet Pages
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