The Oboe BBoard
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Author: MikeC855
Date: 2015-10-30 05:35
Like Matt, I fight this particular fight on a Yamaha and a Fox. The only way I've been able to consistently corral this issue is with embouchure, and reed condition. Frankly, I usually judge how "usable" a reed is on the amount of effort it takes to voice that C in tune and with minimum "bagpiping" (there - I invented a word ;-) ).
Right hand pinky keys help me sometimes, but the timbre difference versus the D is hard to conceal. Fortunately I have had *some* success on my Fox (Sayen) with the closed C to soften it in certain solo passages where timbre changes spoil everything.
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Confounding band directors since 1964.
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robertargoe |
2015-03-04 21:25 |
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Chris P |
2015-03-04 22:01 |
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robertargoe |
2015-03-06 02:39 |
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Chris P |
2015-03-05 04:53 |
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robertargoe |
2015-03-05 06:25 |
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jhoyla |
2015-03-05 08:28 |
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WoodwindOz |
2015-03-05 18:24 |
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Chris P |
2015-03-06 02:47 |
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rgombine |
2015-03-06 22:17 |
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matt_lin18 |
2015-10-18 04:46 |
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Re: Middle C bright sound new |
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MikeC855 |
2015-10-30 05:35 |
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Barry Vincent |
2015-10-31 04:11 |
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veggiemusician |
2015-11-01 13:56 |
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The Clarinet Pages
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