The Oboe BBoard
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Author: Oboelips
Date: 2014-01-23 18:29
I know that it is part of it...my teacher studied under Harold Gomberg at the Manhattan School of Music back in the '60s. And, I suspect that is where the short tips come from, and using windowless reeds, and the control of air.
Everyone has their own concept of how they want to sound in their head. And this is what allows me to "get close" to my idea of a great oboe sound. Only occasionally do I get to listen to myself and say "that's it!", but those times are worth the work.
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mjfoboe |
2014-01-22 00:51 |
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Oboelips |
2014-01-22 23:30 |
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JRC |
2014-01-23 00:18 |
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Oboelips |
2014-01-23 18:29 |
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Oboe Craig |
2014-01-24 02:23 |
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mjfoboe |
2014-01-27 18:39 |
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Mark Charette |
2014-01-27 23:44 |
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mjfoboe |
2014-01-27 23:59 |
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Oboe Craig |
2014-01-27 23:54 |
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mjfoboe |
2014-01-28 06:47 |
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mjfoboe |
2014-01-28 06:49 |
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mjfoboe |
2014-01-28 06:52 |
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Oboe Craig |
2014-01-29 02:43 |
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Oboe Craig |
2014-01-29 21:23 |
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Wufus |
2014-01-30 20:21 |
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Oboe Craig |
2014-01-31 04:16 |
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The Clarinet Pages
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