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Re: Dynamics?

Author: cjwright
Date: 2011-02-19 19:51

I think the purpose of this string is to discuss how to gain the capacity to be able to perform different dynamics.

Dynamics is like one of many tools in your toolbox. As is technique, tonguing, etc. etc. etc. All of these help build the overall house/project, which would be the music.

I know the rest of this rant might become controversial, so I would first like to state that I recognize that this is merely my opinion, and I do not state it as a matter of fact.

I strongly disagree with JRC on several points most notably that practicing dynamics is pointless. There's nothing wrong with practicing how to make different dynamics out of context (such as long tones) so that you strengthen the muscles needed to perform different dynamics. Then when you need them under fire, you are able and capable to make them.

John Mack used to yell and students for moving too much, and would always say "Make music with the oboe, not with your body." I despise watching Joshua Bell, as his bodily movements seem ridiculous, and distract from the music which comes out of his violin.

In fact, I believe many musicians make too many bodily movements in an attempt to supplement their own inadequate music making skill from their instrument, at which point it becomes a puppet show rather than a musical experience.

Blog, An Oboe In Paradise
Solo Oboe, Thailand Philharmonic Orchestra

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Dynamics? new

Theyoungoboist

2011-02-17 23:05