The Clarinet BBoard
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Author: Chris P
Date: 2026-04-25 16:10
Is that for Bb or A? If it's for Bb, then play it on A instead and just change the key signature to 3 sharps (and alter the accidentals accordingly).
Former oboe finisher
Howarth of London
1998 - 2010
Independent Woodwind Repairer
Single and Double Reed Specialist
Oboes, Clarinets and Saxes
NOT A MEMBER OF N.A.M.I.R.
The opinions I express are my own.
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Author: rmk54
Date: 2026-04-25 17:20
To answer your question:
Slide the left pinky from the low E to the D-flat.
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Author: Philip Caron
Date: 2026-04-25 18:50
Hah, I didn't even think of rmk's suggestion until they mentioned it. It does work and feels pretty good. I've always used rh F-E in similar cases (learned in my youth from the Langenus method.) Either is probably fine. Lh Db-F also works on my R13 with additional fingers involved.
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Author: SecondTry
Date: 2026-04-25 20:33
Attachment: left hand pinky ab eb exercises.jpg (292k)
If I were teaching this to a new student I'd first show them how, with a pointer finger, to grab some (I know, yuk) skin grease from behind their ear and place it on the right pinky / and / keys to facilitate sliding
off these keys to the ones directly below.
Then, I'd have then slide down from the to the : in my opinion the easiest approach here.
But I would not stop there. Next, I'd use this as an opportunity to teach mid note pinky swaps, where the same note, be it a / , or a / is held, while the pinky that first played the note was swapped for the other in anticipation of freeing up a pinky to make the next note (say a / where, at least on most clarinets, and left pinky key to do so isn't available.
In this case that would involve playing the initially with the left pinky and then mid, note, swapping it for the right pinky to make the playable with the left pinky.
As a parenthetic note, I use an electronic reader and have, as per the attached exercises, notations throughout my music with reminders like "slide" "LR" and "RL" the latter two pinky swaps between the left and right, and right and left pinkies mid-note respectively.
I've dubbed this "Lori-ing"...the name Lori have an "L" and an "R" in it.
While I am of the believe that only the most virtuosic of players can site read the "pinky sequence from hell," knowing either what pinky to take a note with ahead of time in a complex series of notes, or at speeds, knowing and being able to switch pinkies so fast and smoothly, I also hold the belief that there are certain patterns in music, like arpeggios in "Eb" or "Ab" etc. that should train the player that their best efforts are probably met playing a with the left pinky an anticipation of the that comes after it.
Clarinets of the past 30 years have been offering left pinky / keys. Vendors have https://tinyurl.com/535p8c4w made available retrofit keys to do so.
Drucker, on the other hand, presented with a Festival Buffet, which at the time had the quality wood that the R13 had in its golden age (but not today)--which had this key--had it removed, having learned pinky swaps.
Post Edited (2026-04-26 18:58)
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Author: m1964
Date: 2026-04-25 22:41
Thanks to everyone who replied.
To Chris P. :
This is from the Pictures at the exhibition. That movement is written for the Bb so your suggestion may work just fine if there is enough time between the movements to change the clarinets. Both the preceding movement and the one after are for the Bb.
Thank you
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Author: RBlack
Date: 2026-04-26 00:35
When I played this in university I did the slide as rmk54 suggests.
You can also do the F-E slide if you have an alternate LH Ab/Eb key for the last note.
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Author: Tom H
Date: 2026-05-01 06:06
If it's slow enough go R,L pinkies while on the first low F (after the Db). Then R pinky in the low E of course.
The Most Advanced Clarinet Book -- Songburd Music (paper and digital)
Search title. Amazon.com (search Tom Heimer).
Boreal Ballad solo -- Songburd Music item -- search title.
Post Edited (2026-05-01 06:07)
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Author: rmk54
Date: 2026-05-01 16:34
It's from Pictures at an Exhibition: Gnomes (Ravel orchestration).
Goes quite fast, I'm afraid.
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Author: Philip Caron
Date: 2026-05-01 17:23
Unison with bass clarinet, bassoons, violas, cellos & basses. If everyone isn't playing clean and rhythmically perfect, it will sound like mush.
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Author: donald
Date: 2026-05-02 15:50
Worth noting that the "skin grease" that SecondTry mentions is a well tried and proven method (usually from rubbing finger on the nose, but behind the ear works fine). I recall James Galway recommending this to me in chamber coaching (though I don't know the specifics, he stated he also needed it now and again playing the flute) and this was by no means the first time I'd been told about this trick...
The L-R finger swap Tom recommends CAN be quite useful (for instance in the Forlana from Five Bagatelles) but (as already stated) doesn't work here as the passage is too fast. A good trick to remember.
SecondTry also mentions Drucker removing his Eb key... I've known a few people do this over the years. I have taken that key off, but keep it in the case and about once a year end up screwing it back on for a passage where I really can't do without it. I don't like using it if I can at all avoid it, and will slide if it's not too obvious (for example, in Debussy Prem Rhap I get by) but DO use it when it's really needed.
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Author: Tom H
Date: 2026-05-03 01:42
I use to use spit on fingers for sliding but haven't done that in decades.
The Most Advanced Clarinet Book -- Songburd Music (paper and digital)
Search title. Amazon.com (search Tom Heimer).
Boreal Ballad solo -- Songburd Music item -- search title.
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