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 hearing the 12th
Author: Pokenerd 
Date:   2023-03-26 10:17

Players such as Harold Wright and Ralph McLain's tones are said to have very strong 12ths... and that they could also hear them. I can hear it when the overtones are first isolated on its own through computer programs and later hear the full sound but I can't hear them without it... are there any good ear training of some sort to listen to the 12th easier and bring out more of it?

Minjun



Post Edited (2023-03-26 10:21)

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 Re: hearing the 12th
Author: Philip Caron 
Date:   2023-03-28 01:36

Sorry, I don't know your answers, but would like to learn more about this. I think it was discussed on this board before, probably years ago. I don't consciously hear 12ths in my sound or anyone else's, but perhaps other ears are more discriminating.

This may be unrelated, but. It's interesting to practice "opposite the register key", so that you voice clarion notes with the key closed and (fuzzy) chalumeau notes with it open, i.e., backwards from usual. In the former case, you support the desired 12ths to sound instead of the primary.

The latter case involves the 12ths tending, more strongly the lower you go, to overplay the fuzzy chalumeau sounds that are desired, but you override them to maintain the lower notes. During that you are obviously aware of said 12th being there even when it's not actually coming out.

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 Re: hearing the 12th
Author: Johnny Galaga 
Date:   2023-03-28 03:56

Stand in a corner and play some low notes.

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 Re: hearing the 12th
Author: Dan Shusta 
Date:   2023-03-28 05:29

Pokenerd,

Perhaps this previous thread can help your understanding:

http://test.woodwind.org/clarinet/BBoard/read.html?f=1&i=59650&t=59588



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 Re: hearing the 12th
Author: ebonite 
Date:   2023-03-28 10:04

Try playing near a piano with the sustain pedal held down. The 12th should be more audible. When you have trained yourself to hear it with the piano, try it without.

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 Re: hearing the 12th
Author: Johnny Galaga 
Date:   2023-03-31 04:49

Play a low F and if you focus the air just right, you can get a middle C to come out at the same time !

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 Re: hearing the 12th
Author: lydian 
Date:   2023-03-31 06:02

Since a 12th is just a 5th plus an octave, same interval as Twinkle Twinkle Little Star, that's an easy way to hear it.

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 Re: hearing the 12th
Author: smill01 
Date:   2023-04-01 22:06

The Tonal Energy phone app (and probably others) has a harmonic analysis tab that lets you see the partials as you adjust your voicings.

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 Re: hearing the 12th
Author: Johnny Galaga 
Date:   2023-04-05 03:51

Actually, a low G or A♭ might be better for getting 2 notes out at the same time. So did you ever go stand in the corner?

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 Re: hearing the 12th
Author: Pokenerd 
Date:   2023-04-06 01:52

are there any ways to hear the overtones past the chalumeau?

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 Re: hearing the 12th
Author: Arnoldstang 
Date:   2023-04-07 02:50

The tone of the Eb clarinet might be a good starting point. Play the same pitch on both Eb and Bb . Keep the tone of the Eb in your head as you play the Bb.

Freelance woodwind performer

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 Re: hearing the 12th
Author: Burt 
Date:   2023-04-09 04:36

You can use a spectrum analyzer to look at all the harmonics. I have "Spectroid" on my Android phone. Assuming that the harmonics are not created by imperfections in the app, I can see the 12th (3x the fundamental frequency) and even some of the octave (2x the fundamental frequency).



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 Re: hearing the 12th
Author: Philip Caron 
Date:   2023-04-17 02:05

When playing a note in the chalumeau register, are the 12ths that one can sometimes perceive in-tune mathematically precise 12ths, or they the more-or-less flat 12ths that you would actually get if you overblew the fundamental without the register key?

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