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 Re: Dvorak 9 question
Author: dorjepismo ★2017
Date:   2018-12-25 02:36

Played the Farrington arrangement a couple weeks ago, and did the Bb parts on Bb. I don't know anything about the textual history of the score and might be completely off, but my A sounds different from my Bb, and I think the parts echoing the end of the English horn melody sound lighter and more like an echo on Bb. It seems plausible that he wanted it that way. I switch the barrel with the mouthpiece, so I used a short barrel and pushed it way in on the Bb. Even though it was in a cold church, the tuning was fine. I borrowed a C for awhile recently and wouldn't play the Beethoven concerto on it because it sounded like an Eb, but with a decent sounding instrument, there are musical reasons to use a C for that, too. In Mozart operas, it seems a lot more like he just switched instruments to make them more playable for the keys the numbers are in.



Post Edited (2018-12-25 02:42)
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