 The Clarinet BBoard
|
Author: Napat Techa.
Date: 2017-05-25 08:00
What is the fingering using during the 6th bar of the 11th mark until the begining of the 12th mark ???
I am practicing them but the fingering seems to be very difficult to play. So , What is your advice for fingerings for
This pieces ???
Mark 11th to 12th
https://drive.google.com/file/d/0BxfBbJbQmUaeNzA2SXo0Ym95YXM/view?usp=drivesdk
Sorry for my bad English
...Sorry for my bad English...
Thank you !!!!!
Intermediate clarinetist . Buffet Crampon RC . Nick Solist M Mouthpiece. V12 3.5. Ishimori gold plated ligature and Rovner Versa ligature.
|
|
Reply To Message
|
|
Author: clarinetist04
Date: 2017-05-25 23:49
The only non-standard fingering I use in this passage is the 1-and-1 Eb (throughout) and Bb (only the last note). Otherwise, this is just a hard passage and needs a lot of practice! 
|
|
Reply To Message
|
|
Author: ClarinetRobt
Date: 2017-05-26 00:17
Napat:
1&1 on the ![[Eb4]](http://test.woodwind.org/clarinet/BBoard/smileys/eb4.gif) on my Buffet has a tenancy to be slightly sharp. But it's the only fingering that's a good option. You'll have to adjust your bridge between the upper and lower joint to make sure it responds well.
~Robt L Schwebel
Mthpc: Behn Vintage
Lig: Ishimori, Behn Delrin
Reed: Legere French Cut 3.75/4, Behn Brio 4
Horns: Uebel Superior (Bb,A), Ridenour Lyrique, Buffet R13 (Eb)
|
|
Reply To Message
|
|
The Clarinet Pages
|
 |
.jpg){kind=small}
.jpg){kind=small}
.jpg){kind=small}
.jpg){kind=small}
.jpg){kind=small}
.jpg){kind=small}
