 The Clarinet BBoard
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Author: Dan Oberlin ★2017
Date: 2016-10-17 19:02
The first clarinet part of Lux Aurumque by Eric Whitacre has a tremolo from throat Bb to the D above. Any suggestions?
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Author: kdk ★2017
Date: 2016-10-17 22:28
I'd second David's advice with the additional thought that, whatever comes out, a composer who writes something like that deserves whatever he gets in a performance.
Karl
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Author: Chris P
Date: 2016-10-17 23:17
... or play it on a full Boehm.
Former oboe finisher
Howarth of London
1998 - 2010
The opinions I express are my own.
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Author: ClarinetRobt
Date: 2016-10-27 19:34
Dan:
I've always taken the attitude on awkward trills/tremolos to play straight sixteenths. Let the others do the 'heavy lifting' with speed. I suspect ultimately no one will know what you're doing and you at least can make smooth artistic transition. Also the composer will still have chord integrity maintained.
~just my opinion. I've never had a conductor say a word to me to date.
~Robt L Schwebel
Mthpc: Behn Vintage
Lig: Ishimori, Behn Delrin
Reed: Legere French Cut 3.75/4, Behn Brio 4
Horns: Uebel Superior (Bb,A), Ridenour Lyrique, Buffet R13 (Eb)
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Author: sfalexi
Date: 2016-10-28 06:10
Play a D to B tremolo with your large toe stuffed up the bell to flatten the pitch of the B VERY close to a Bb? That'd be my best effort.
Alexi
US Army Japan Band
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Author: kdk ★2017
Date: 2016-10-28 06:39
sfalexi wrote:
> Play a D to B tremolo with your large toe stuffed up the bell
> to flatten the pitch of the B VERY close to a Bb? That'd be my
> best effort.
It would be quite a sight to see a whole section doing that. Can *you* actually do that???
Karl
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