The Clarinet BBoard
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Author: nellsonic
Date: 2016-03-24 08:31
Sorry - I missed the part about the upcoming audition. I certainly wouldn't advocate extensive double-lip playing for your current situation, but a few minutes of it a day might still be helpful, if it works for you. Some people are indeed anatomically unsuited to double-lip - you might be one of them. Just be thankful that you live in a century in which the clarinet is played with the reed on the bottom. It wasn't always everywhere so.
Generally *less* pressure and more mouthpiece are helpful with altissimo issues you might encounter in the Brahms (not super-altissimo). It's easy to close up the reed with too much pressure and then the notes don't speak. It can be somewhat counter-intuitive until you get it. If you are not already using as much mouthpiece as you productively can - try that.
Anders
Post Edited (2016-03-24 08:36)
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nisharae18 |
2016-03-23 21:24 |
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nellsonic |
2016-03-23 21:33 |
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Philip Caron |
2016-03-23 22:31 |
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Paul Aviles |
2016-03-24 02:48 |
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WhitePlainsDave |
2016-03-24 03:12 |
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nisharae18 |
2016-03-24 04:25 |
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Philip Caron |
2016-03-24 04:42 |
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kdk |
2016-03-24 05:07 |
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nisharae18 |
2016-03-24 04:49 |
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Re: embouchure/ tone question |
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nellsonic |
2016-03-24 08:31 |
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seabreeze |
2016-03-24 09:07 |
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