Author: TomS
Date: 2014-11-08 18:53
To me, it makes sense, especially for beginners through High School, that there is a real advantage in the clarinet section using the same make and model of instruments. But, that is true only if they are really good instruments. Matching is one thing, but, everyone using clarinets that have poor tuning, uneven blowing resistance, bad mechanics and high sensitivity to changing temperature and conditions is counterproductive.
Students, ironically really need some of the best performing equipment to start out on. Maybe they don’t need the absolute best clarinet, but it should be in the ball park and in the infield, at least. I do concede that more than one make and model may be OK, as long as they closely similar.
I well remember fighting intonation issues in school, partly because we had everything from Selmer Series 10 to Sears “good” model clarinets.
As far as MPs, there could be a some flexibility from student to student, as long as the range of designs and facings aren’t too broad, and incompatibility, as far as tuning isn’t an issue. IMHO, starting out at least, with Legere reeds can be an advantage. A competent teacher should instruct students on proper cane reed selection and adjustment as time goes by …
As clarinetists get more advanced, then I think it is time to find the equipment that encourages the easiest production of each musician’s concept of (hopefully good) sound. By that time, you and your colleagues are able to identify and make adjustments to assure good section blending.
In a semi-professional Wind Symphony that I play in, I have a Selmer 10G to my left and an Opus to my right and I play a Lyrique Libertas. Because we listen to each other, know each instrument’s tendencies, we can tune together and temper chords well.
In the Chicago Symphony, Larry Combs and Greg Smith played Leblanc and Buffet respectively, and I am sure they got along just fine.
So, I vote for same make and model (or close) to at least start out on … I suspect it could make life easier for our music educators.
My three cents worth ...
Tom
Post Edited (2014-11-09 00:51)
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The Clarinet BBoard
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