Author: Sean.Perrin
Date: 2011-12-13 17:10
I don't know... Is it actually in a recognizable mode, or is it a tone row? If it's the former, it should be ok, but if it's the latter, I would say write whatever makes sense when it is read by the player, the mathematical implications can be interpreted from the C-score if need be, but make the parts readable.
EDIT: I re-read the original post and found your mode. I think it's ok if you just stick with that, but, unfortunately we are back to the original problem of what that mode looks like to a bass clarinet. If this is the case, I would change the enharmonic spelling of your mode for the B-flat (and perhaps E-flat if you have them) instruments as discussed above.
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Post Edited (2011-12-13 17:14)
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