Author: Klarnetisto
Date: 2010-11-12 03:59
It's interesting to see how Richard Strauss used the D and Eb, other than the conspicuous bits in Till Eulenspigel: he had no fear of using the chalumeau register, say doubling violins. I always for the Eb's chalumeau to be wonderfully rich and beautiful, when the equivalent sontes on the Bb would be throat-register and so not as interesting.
Klarnetisto
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