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 Fingering problem
Author: mrn 
Date:   2009-04-04 23:16

This little sequence of notes showed up in an exercise book of mine, and I was wondering the best way to finger this so that I can work this up to a really high speed eventually. It's kind of got me stumped...

The notes are C#4 (chalumeau C#) B4 (middle line B) D#5 (second line from the top of the staff) C#5 (second space from the top of the staff). The whole thing is slurred and played in 16th notes (semiquavers).

I'm trying to play this on a plain vanilla R-13 Buffet, so I don't have a left-hand Eb key. The only potential solutions I could come up with on my own were to play the B on the right and then switch fingers mid-note (which gets harder to do the faster you go) or to play the B with the side keys (which, aside from the obvious tuning and tone problems, is a bit of a stretch for the right hand).

I keep thinking there must be a better way to do this. I just haven't found it yet. Anybody have any ideas?

If if helps, this little figure comes from Jettel's Klarinettenschule vol. 2 (the scale book). It's part of the exercise in 7ths and 9ths for the key of E major. Surely somebody has a good solution for negotiating this passage (or at least can tell me which unpleasant solution they use).



Post Edited (2009-04-05 00:15)

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 Re: Fingering problem
Author: cigleris 
Date:   2009-04-04 23:31

The best way, probably, would be to do a really quick finger change on the B if i've understood your notes correctly. I'd have to see the dots to be more sure, i'll look to see if I have this Jettle book.

Peter Cigleris

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 Re: Fingering problem
Author: mrn 
Date:   2009-04-05 00:03
Attachment:  figure.pdf (19k)

You can look at this attachment to see what the four notes I just described look like in music notation.

(Note to Mark/Glenn: I wrote this out myself, and it's just the four notes by themselves, so there should not be a copyright problem with this)

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 Re: Fingering problem
Author: pewd 
Date:   2009-04-05 00:17

A clarinet  ;)

- Paul Dods
Dallas, Texas

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 Re: Fingering problem
Author: mrn 
Date:   2009-04-05 00:34

pewd wrote:

> A clarinet  ;)
>

You know, that may just be the best solution of all! :)

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 Re: Fingering problem
Author: cigleris 
Date:   2009-04-05 00:48

Mrn

Thanks for the attachment. I stick with what I originally posted. it's certainly doable

Peter Cigleris

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 Re: Fingering problem
Author: mrn 
Date:   2009-04-05 01:01

cigleris wrote:

> Mrn
>
> Thanks for the attachment. I stick with what I originally
> posted. it's certainly doable
>

I'll have to work on that, then. Thanks!

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 Re: Fingering problem
Author: skygardener 
Date:   2009-04-05 13:01

Jettel played on an Austrian/German system so the intended challenge for that passage might be-
[C#4]with RIGHT hand INDEX finger on C# key.
[B4]R and L hand pinkys.
ROLL to [D#5]
and roll back to RH and LH pinkys for (or play with LH pinky only) [C#5]

The main problem in the French clarinet is the lack of the RH index finger extension for the low C#. At fast speeds I would just try as best as possible. There is no fake for this situation and if you don't have the LH G#/D# then it really can't be done; OR you can get an extension on your C#/G# key so you can reach it with your right hand.



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 Re: Fingering problem
Author: William 
Date:   2009-04-05 15:14

Cheat--transpose the first C# up an octave and simply alternate little fingers (l-r-l-r, etc)

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 Re: Fingering problem
Author: mrn 
Date:   2009-04-06 19:12

Thanks, everybody! I think I'm just going to have to practice doing a quick pinky switch on this figure--not a bad skill to have, as I've used that trick many times on slower passages. I just wasn't quite sure how doable it was at higher speeds.

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