The Clarinet BBoard  
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Author: alanporter  
Date:   2007-11-13 20:34 
 I am new to this forum.  I have been a member of another clarinet forum whose members don't appear to be very knowledgeable, as I have asked three questions over the past two months and no one has answered any of them. 
The questions are: 
1.  I have an old soprano Bb made by F. Buisson of Paris.  Is this a student, intermediate or pro model ?  It sounds very good. 
 
2.  What is your opinion of the Perfectone mouthpiece made in Elkhart, Ind. 
 
3.  I have come across a Tru Blo ligature made of plaited leather. Does it have any advantages ? 
 
Sorry if three questions are too much for one posting.  Tell me if I am out of line. 
 
tiaroa@shaw.ca
  
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Author: Don Berger  
Date:   2007-11-13 20:59 
 Hi Alan - Welcome to our friendly BBoard .  We [and I] will attempt to answer your questions.  Buisson cls have been discussed often, and this info is available by using our archives Search [above], I believe you will find it to be a "trade name" used as what we call a "stencil", for a distributor, and not a "maker". I've not heard of "Perfectone" mps, and would guess its a commonplace "stock" mp, inexpensive, nor of a Tru Blo lig.  Again Searching may turn up some useful info.  Luck, Don 
 
Thanx, Mark, Don
  
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Author: Synonymous Botch  
Date:   2007-11-14 02:10 
 Much of the focus here, is on practice making for better playing - rather than equipment. 
 
Older instruments from makers that are no longer in business can vary dramatically from one to the next - they were often made entirely by hand, and under contract by the same staff at the more famous factories. 
 
If the clarinet tunes well, and has no mechanical faults - great. 
 
Perfectone mouthpieces were ground out in the tens of thousands; mostly with the jazz doubler in mind.  It's difficult to get a flexible sound from a mouthpiece designed to play LOUD above all else. 
 
The Fobes Debut and Hite Premier mouthpieces are inexpensive ways to start playing a mouthpiece that will favor a medium strength reed. 
 
Ligatures need to hold the reed in place.  Their contribution to overall sound is marginal (and debatable).   
 
**** 
A caution - gear can get in your way, or derail progress, but rarely make you a better player.
  
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