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    | Author: Sang1Lee Date:   2007-01-04 19:02
 
 hi, ok, it seems a bit late.. But
 
 can someone tell me what a good audition piece would be?
 
 i'm a sophmore in high school, (for those who are familiar with these...) i'm in Sr.MYWE at NEC, and GBYSO Sr.
 
 
 
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    | Author: GBK Date:   2007-01-04 19:23
 
 Such a general question requires a general answer:
 
 Something that shows your current level of proficiency and playing skills in the best possible light...GBK
 
 
 
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    | Author: JJAlbrecht Date:   2007-01-04 21:44
 
 Maybe people could answer your question more specifically if you used words instead of acronyms and abbreviations to phrase your question.  This would give the general population of the group an indication of where you are and what you are attempting to do.  I have a few guesses as to the nature of the mystery aconymns, but that is all they are... guesses.
 
 Jeff
 
 
 
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    | Author: CPW Date:   2007-01-04 23:32
 
 BUTI and the BEAST perhaps
 
 Against the windmills of my mind
 The jousting pole splinters
 
 
 
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    | Author: Kevin Date:   2007-01-04 23:40
 
 Sang1Lee means Boston University Tanglewood Institute, Senior Massachusetts Wind Ensemble at New England Conservatory, and Greater Boston Youth Symphony. Hmm, that was a mouthfull.
  
 
 
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    | Author: Kevin Date:   2007-01-04 23:40
 
 And apparently I've just flown from Brooklyn, NY to Madison, AL!
 
 And Sang1Lee, GBK is right about what music you should play. After all, the same pieces in our repertoire played by middle schoolers for stuff like their all-state exams are very often the same pieces played by those for their doctorate degree jury at Juilliard. It's not so much about what level your piece is than what level you perform it.
 
 
 
 Post Edited (2007-01-04 23:47)
 
 
 
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    | Author: FDF Date:   2007-01-04 23:48
 
 Kevin, what would we do without you?  Does this mean that sang1lee only wanted a response from young people? or from a certain elite segment of the clarinet population?  Merely, a question and not an estimation.
 
 
 
 
 
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    | Author: CPW Date:   2007-01-05 00:15
 
 You  mean that "NEC" is NOT a computer or cash register?
 No wonder I did not  advance in the C.I.A.
 
 Here I thought it was because my souffle` fell.
 
 Against the windmills of my mind
 The jousting pole splinters
 
 
 
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    | Author: Kevin Date:   2007-01-05 00:31
 
 Don't be so hard on yourself, CPW. F.W.I.K., the California International Airshow is pretty tough when it comes time for cuts.
 
 
 
 Post Edited (2007-01-05 00:36)
 
 
 
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    | Author: JJAlbrecht Date:   2007-01-05 01:31
 
 Thanks for the translation, Kevin.  Unfortunately, I don't have a recommendation, but now I at least know what the question was!
  
 Jeff
 
 
 
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    | Author: Alseg Date:   2007-01-05 14:24
 
 No one suggested a piece to play.
 Guess it is FUBAR with a major SNAFU
 
 Of course one hopes that the souffle did not fall out the airplane (was he flying with the Cordon Bleu Angels?)
 
 
 Former creator of CUSTOM  CLARINET TUNING BARRELS   by DR. ALLAN SEGAL
 -Where the Sound Matters Most(tm)-
 
 
 
 
 
 
 
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    | Author: tictactux ★2017 Date:   2007-01-05 14:52
 
 > Of course one hopes that the souffle did not fall out the
 > airplane (was he flying with the Cordon Bleu Angels?)
 
 Thou shalt not mention edibles while I am on my January régime! <stomach grumbles a major fifth lower>
 
 Side question: Does an audition piece have to be a beaten-path clarinet piece or would eg. a flute concerto of CPE Bach do as well?
 
 --
 Ben
 
 
 
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    | Author: JJAlbrecht Date:   2007-01-05 15:45
 
 "<stomach grumbles a major fifth lower>"
 
 Interesting trick.  I've never heard a "major" fifth before.
 
 
 
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    | Author: tictactux ★2017 Date:   2007-01-05 18:54
 
 JJAlbrecht wrote:
 
 > "<stomach grumbles a major fifth lower>"
 >
 > Interesting trick.  I've never heard a "major" fifth before.
 
 My stomach has a quarter-tone granularity. Especially when empty.
 ![[wink]](http://test.woodwind.org/clarinet/BBoard/smileys/smilie3.gif) 
 --
 Ben
 
 
 
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    | Author: JJAlbrecht Date:   2007-01-05 21:50
 
 Actually, I was referring to the term "Major" as applied to the fifth.  I was always told in music theory that primes, fourths, fifths ansd octaves did not have "majors" but rather they were dubbed "perfect", as in a perfect fifth.  If I am wrong, or if the nomenclature hac changed iver the decades, please correct me, someone!
  
 In my younger days, I would have described a "perfect fifth" as a nice bottle of Jack Daniel's Black Label.
 
 Jeff
 
 
 
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    | Author: tictactux ★2017 Date:   2007-01-05 22:04
 
 I guess you're right, Jeff. Music theory was never my thing (especially not in furrin languages).
 I just had that stupid quote* in my head when I posted.
 
 *) since you ask: "2 + 2 = 5, for extremely large values of 2"
 
 --
 Ben
 
 
 
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    | Author: Alseg Date:   2007-01-06 00:10
 
 A PERFECT fifth?
 Hmm......Glenfiditch comes to mind.
 
 
 As far as BUTI goes.
 It is in the eye of the beholder.
 Some get additional help...Like Botox and the Beast
 
 
 Former creator of CUSTOM  CLARINET TUNING BARRELS   by DR. ALLAN SEGAL
 -Where the Sound Matters Most(tm)-
 
 
 
 
 
 Post Edited (2007-01-06 00:12)
 
 
 
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    | Author: Sang1Lee Date:   2007-01-07 02:04
 
 woa, i haven't been here for two days, and alot of responces
 
 ok, i get it, i think.....
 
 
 so... would.. brahms sonata 2 and finzi / weber do it?(in terms of repetoire showing tech./musicality)
 
 
 
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    | Author: Alseg Date:   2007-01-07 02:10
 
 yep
 that'll do it
 
 
 Former creator of CUSTOM  CLARINET TUNING BARRELS   by DR. ALLAN SEGAL
 -Where the Sound Matters Most(tm)-
 
 
 
 
 
 
 
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