The Clarinet BBoard
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Author: John Peacock
Date: 2010-11-25 16:11
I know that Robert Carree's polycylindrical design started to be marketed by Buffet in the mid 1950s. If you go to the Buffet website, the earliest instrument that they list is serial number 58835, from 1958. But over the following decade, the instruments seem to come with (at least) 3 distinct names:
No. 1 440 GL
No. 1 440 France
No. 1 440 Amerique
The first bits are simple: No. 1 440 means the standard keywork pitched in A=440. But what do the last names designate? From a limited amount of typing numbers by trial and error, the "GL" designation seems to run from the first properly recorded instrument (58835 in 1958) to 62087 at the end of 1959. Then it becomes "France" in 62088. The earliest "Amerique" I've found is 62972 at the end of 1960. But thereafter the "France" and "Amerique" designations seem to swap around for the rest of the decade.
So what did "GL" mean, and did its disappearance from 62088 signify a redesign? And was there actually a difference in design between the "France" and "Amerique" models? One hears that the development of the S1 and RC models was an attempt to cater for differing tastes in the US and Europe, but was Buffet doing this already in 1960? Maybe someone out there is lucky enough to have several Buffets from 1958-1962 and can comment on any differences.
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Author: John Peacock
Date: 2010-11-25 19:30
Ken: Thanks.
I don't think the "france" designation can mean 442. Serial no. 62099 is
"No. 1 Sib 440 France" so that's explicitly a standard pitch instrument. It could be that the "Amerique" designation meant no more than that they were a batch designated for the export market. But I'm still curious about what "GL" meant: the link you suggested didn't seem to explain the term.
Do you think Buffet succeeded in their aims with the "Vintage" model?
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Author: Caroline Smale
Date: 2010-11-25 23:30
My R13 (purchased used in USA 25+ years ago Ser No 760xx dates from 1963 I think.
It is definately not polycylindrical but has a bore at top of top joint measuring 14.80/85 tapering evenly down to 14.60 just below speaker tube and being 14.55/60 at centre joint.
The barrel is straight bore of 14.85
Does anyone else have a tapered bore R13?
Is this what the vintage is trying to recreate?
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Author: GLHopkins
Date: 2010-11-25 23:44
I had a high 46,xxx that was, according to Andy Crisanti, a R-13. It was 3 posts for the A/Ab, and it had the slotted round guide for the top trill keys.
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Author: Ken Shaw ★2017
Date: 2010-11-26 13:35
John -
I've played a couple of Vintage models and think Buffet has made a very good replica of the original R13. It was like coming home to 64907. You have to use a resonance fingering for the throat Bb, or use Gigliotti's BTSOOI (Blow The Sh*t Out Of It) method and learn to compensate for the intonation problems.
Ken Shaw
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Author: John Peacock
Date: 2010-11-26 15:19
Ken: interesting. My interest in this was triggered by a 62,000 series model I got recently (it's a "GL", hence my interest in what this means). It plays beautifully, and I like the sound much better than with modern Buffets - but I hadn't felt any such great improvement when I tried the new vintages. It also seems to have tuning that's at least as good as modern models and I don't notice any issues with Bflat - yes I use a resonance fingering, but I also did this on my modern (well, 1982) Buffet. I've never blown an instrument where you didn't want to have fingers down for A and Bflat. Can you enlarge on the "intonation problems" you mention? All this makes me wonder even more if the change of name from "GL" to "France" at 62088 really did accompany some design change. I suppose the only way to be sure is to assemble a few models from 61,000 and 64,000 - but not even Nick Shackleton managed that.
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