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 Kurt Bjorling's C - clarinet to low D
Author: Steve Epstein 
Date:   2001-03-21 03:41

Low D, not low C, correct? Which really means, the written low E of a standard Bb clarinet. So why all the contortions to do this with a c - clarinet? Why not just a good old - fashioned Bb clarinet? A guy like him can probably transpose with ease, and with the modals of klezmer, there are going to be plenty of sharp / flat accidentals thus difficult fingerings in any key somewhere. Tone? Won't the additional length of the low D extension darken the sound, making it sound like a Bb, anyway? I heard Brave Old World once; they were miked and amped, obfuscating the finer points of tonality. He had pickup mikes on both his "C" and his basset horn.

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 Topics Author  Date
 Kurt Bjorling's C - clarinet to low D  new
Steve Epstein 2001-03-21 03:41 
 RE: Kurt Bjorling's C - clarinet to low D  new
Ralph Katz 2001-03-21 22:35 
 RE: Kurt Bjorling's C - clarinet to low D  new
Steve Epstein 2001-03-21 23:56 
 RE: Kurt Bjorling's C - clarinet to low D  new
Ralph Katz 2001-03-22 16:04 
 RE: Kurt Bjorling's C - clarinet to low D  new
Nate Zeien 2001-03-22 23:26 
 RE: Kurt Bjorling's C - clarinet to low D  new
Tom Puwalski 2001-04-18 12:56 
 RE: Kurt Bjorling's C - clarinet to low D  new
Ralph Katz 2001-04-23 16:50 


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