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Re: Strauss Serenade op .7

Author: marmer
Date: 2014-10-10 19:53

The idea that the double bass is called for in just the last few measures is a common misconception, even perpetuated by Norman Del Mar. Substitution of double bass for contrabassoon in wind ensembles has a long tradition because of the lack of flexibility of older contrabassoons and contra bassoonists. Even though the bass is less powerful it is more flexible and if played sensitively is a very good blend with bassoons and clarinets. Strauss must have been aware of this even if it is not spelled out in the score. The E-flats at the end are merely an ossia to avoid tuning down because the lowest note on the standard four-string double bass is E-natural. Many modern bassists have the extension that goes down to C, so the written low E-flat is no problem for them.

If this part is played on tuba, it must be played an octave lower than written.

For todays advanced players, the part is practical if demanding for contrabassoon, tuba, or double bass.

Post Edited (2014-10-10 19:54)

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