Woodwind.OrgThe Clarinet BBoardThe C4 standard

 
  BBoard Equipment Study Resources Music General    
 
 New Topic  |  Go to Top  |  Go to Topic  |  Search  |  Help/Rules  |  Smileys/Notes  |  Log In   Newer Topic  |  Older Topic 
 tuning
Author: Filipe T. 
Date:   2001-10-19 21:10

OK, the orchestra tunes with the oboe. But if the oboe is like 20 cents too sharp, the whole orchestra will be out of tune. Wouldn't it be easier to tune with the piano??? Here's another question that's been bothering me: What if the xylophone was out of tune?? Would they have to tune the orchestra with the xylophone???

Reply To Message
 
 RE: tuning
Author: William 
Date:   2001-10-19 21:56

Oboists generally cut their reeds to play at A=440 or 442 (or higher in some parts of the world) and, when giving the "pitch" to the ensemble, the oboist will use a tuning meter to make certain the A is "in tune" for the orchestras needs.

Reply To Message
 
 RE: tuning
Author: CURT 
Date:   2001-10-19 22:10

Tuning to the piano would be fine. However the temperature of the room, humidity etc. have a lot to do with the intonation of the piano.

As for the xylophone, it's well tempered. It's not really in tune with itself anyway. If one of the bars was noticably out of tune I imagine the percussionist would take care of it.

www.MusicMedic.com

Reply To Message
 
 RE: tuning
Author: Micaela 
Date:   2001-10-19 22:20

There often isn't a piano to tune to in orchestras. The oboe is good to tune to because it projects very well.

Reply To Message
 
 RE: tuning
Author: IHL 
Date:   2001-10-20 04:14

why not use a computer-generated pitch? that would always be in tune, and the pitch could be sharpened or flattened to suit their needs.

Reply To Message
 
 RE: tuning
Author: Jim (E) 
Date:   2001-10-20 04:28

Actually, tuning to a tuner uses a machine generated standard, without the potential inaccuracy of matching a generated tone - by ear.

Reply To Message
 
 RE: tuning
Author: Wes 
Date:   2001-10-20 07:35

As a player of the oboe, I consider the tuning note to be a very important solo for the oboe player. It must be solid on A440 and unwavering. The orchestra deserves nothing less. The oboist of today uses a tuner as he(she) plays the note unless he is positive that he is perfect. He also carries a tuning fork in his case which can be listened to before giving the tuning note if the tuner should not work. A440 is expected for the tuning note in the Los Angeles area despite comments about other higher pitches in other countries.

Reply To Message
 Avail. Forums  |  Threaded View   Newer Topic  |  Older Topic 


 Avail. Forums  |  Need a Login? Register Here 
 User Login
 User Name:
 Password:
 Remember my login:
   
 Forgot Your Password?
Enter your email address or user name below and a new password will be sent to the email address associated with your profile.
Search Woodwind.Org

Sheet Music Plus Featured Sale

The Clarinet Pages
For Sale
Put your ads for items you'd like to sell here. Free! Please, no more than two at a time - ads removed after two weeks.

 
     Copyright © Woodwind.Org, Inc. All Rights Reserved    Privacy Policy    Contact charette@woodwind.org