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 LH Eb/Bb key - anyone ever needs it?
Author: Erez Katz 
Date:   2025-08-24 04:46

I picked up an Eb clarinet and I realize that my left ring finger constantly bumps into it.

I am not referring to the optional left pinky lever that is a custom addition in higher end models in the lower tenon.
Its the upper tenon right between the D and C vents.
It is also to lesser extent an annoyance with my C clarinet

I am trying to think when I ever needed that key and can't think of one.... maybe as a pitch correction in very specific cases.

Do you ever use it?
Any reason not to just remove it an plug that vent?



Post Edited (2025-08-24 05:07)

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 Re: LH Eb/Bb key - anyone ever needs it?
Author: Erez Katz 
Date:   2025-08-24 05:02

I just saw this post.
http://test.woodwind.org/clarinet/BBoard/read.html?f=1&i=517513&t=517513

So I think there is at least a critical mass of folks that,,like myself, consider it redundant.

Which leads me to tge next question:
What are the options for removing that lever either in a permanent or reversible manner. How does one plug that vent?



Post Edited (2025-08-24 05:10)

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 Re: LH Eb/Bb key - anyone ever needs it?
Author: Erez Katz 
Date:   2025-08-24 05:16

Trying to add photo on mobile..



Post Edited (2025-08-24 05:17)

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 Re: LH Eb/Bb key - anyone ever needs it?
Author: Erez Katz 
Date:   2025-08-24 05:31

This is the key I have in mind.

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 Re: LH Eb/Bb key - anyone ever needs it?
Author: Erez Katz 
Date:   2025-08-24 05:34
Attachment:  20250823_211155.jpg (148k)

Finally was able to attach



Post Edited (2025-08-24 05:35)

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 Re: LH Eb/Bb key - anyone ever needs it?
Author: SecondTry 
Date:   2025-08-24 06:38

Erez, IMHO there are enough places in music where one may need to move quickly from [Eb4] to [F#4] to [F4] such that the [F#4] is taken chromatically, and as a result, the [Eb4] before it may best be taken chromatically as well, with the very key you look to part ways with.

Sure, you could roll your right index finger up from a [Eb4] taken with the side key to then voice an [F#4] in this scenario, or even effect an [Eb4] with a fork fingering, or play the [F#4] with just the left pointer finger non-chromatically, but all this said I might consider practice that helps you get use to not hitting this key you wish to remove.

It's funny you refer to the optional left pinky lever as it too was a key, when I first played a clarinet equipped with one that took about two weeks to not accidentally hit, but then when I got use to it I stopped accidentally hitting it and it does, like the key you wish to remove, come in handy at times.

Here's another example. On page 14 of Bearman III, when tasked with playing interrupted scales in D b major you'll be tasked with playing [F4], [F#4] and [Eb4] quickly in a row. Playing the [Eb4] with that chromatic key is bound to be easier than sliding your right index finger down one key on the side from the chromatic [F#4] (or playing a fork fingered [Eb4]) or playing that [F#4] with the left index finger only, so that you can take the [Eb4] with the side key, which seems prone to error to me.

Of course you have to do though what you think is best and if the key has to go, see if you can find a repairman with a spare one of those keys so the actuating mechanism can be filed away.

In my opinion that chromatic key is more important than the same sliver key for the right hand.

Alternatively maybe the key can be removed and a rubber stopper of the right size placed (and maybe glued) in the tone hole not unlike such stoppers are used at ends of a clarinet section when testing for leaks with a magnehelic machine.

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