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Re: Throat Movement and Voicing

Author: Neckstrap
Date: 2021-01-24 08:47

Just some thoughts-

I find optimal voicing through different registers by doing bugle calls (splitting a notes harmonic series up without the help of a register key). I find that the most efficient way do this is to precisely and minimally move several things at once (tongue arch angle, throat -which I believe is only a product of the back of the tongue moving-, soft pallet, and probably a ton of other stuff). I find this the easiest way to play stuff like the opening of Hommage a Paganini.

For those of you who don't move their throats or back of tongues, are you able to do bugle calls/harmonic series? What are you doing to make series to come out?

Thanks!

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