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 Re: Double Tonguing
Author: EaubeauHorn 
Date:   2019-03-25 03:01

Um, a former pro symphony violinist I have to suggest that marking up and down bows doesn't have to do with the difference in sound between them (weaker and stronger.) It has to do with not running out of bow at an inopportune time and with playing musically. It is also the ease of making a particular type of sound at one end or the other of the bow. With a skilled player you will not be able to tell the difference in sound between an up bow and a down bow (unless s/he wants you to) except possibly at the extremes of the frog and the tip, which would be with special effects. However, in a section, they will mark up and down bows so that the entire section will bow together, after the musical dictates of phrasing have been met.

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 Topics Author  Date
 Double Tonguing  new
Roxann 2019-03-23 22:01 
 Re: Double Tonguing  new
Ken Lagace 2019-03-23 22:24 
 Re: Double Tonguing  new
Paul Aviles 2019-03-24 02:01 
 Re: Double Tonguing  new
ceeslaw 2019-03-24 02:20 
 Re: Double Tonguing  new
gwlively 2019-03-25 03:24 
 Re: Double Tonguing  new
Paul Aviles 2019-03-24 04:46 
 Re: Double Tonguing  new
EaubeauHorn 2019-03-25 03:01 
 Re: Double Tonguing  new
fernie121 2019-03-24 23:37 
 Re: Double Tonguing  new
Paul Aviles 2019-03-25 03:24 
 Re: Double Tonguing  new
Philip Caron 2019-03-25 06:16 
 Re: Double Tonguing  new
Dibbs 2019-03-25 16:58 
 Re: Double Tonguing  new
Paul Aviles 2019-03-25 18:40 
 Re: Double Tonguing  new
Dibbs 2019-03-25 20:55 
 Re: Double Tonguing  new
Roxann 2019-03-25 22:15 
 Re: Double Tonguing  new
Paul Aviles 2019-03-25 23:10 
 Re: Double Tonguing  new
Roxann 2019-03-26 02:04 

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