The Clarinet BBoard
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Author: Bob Bernardo
Date: 2018-05-22 07:42
I like to break in reeds for 3 or 4 days, the Steuer reeds because I'm used to them after playing on them now for years. Although I import them I pay for them just like everyone. Once a few reeds are broken in I usually do NOT rotate them. I pick out a good one and leave it on the horn. Here is the reason. The reed forms to the mouthpiece and I play a lot so the reed has just the right amount of humidity. I just wet the reed and play. I just finished a short tour that took me to Washington DC, Cleveland, and Chicago. I pretty much played on the Exclusive reeds but at Chicago the hall was pretty big, large, so the lighter Classic reed projected better.
Although I can make reeds from scratch I don't have to do much to these reeds and I don't like to rotate them because they may play well one day and due to humidity changes they may NOT play at all a week later. This is why I don't rotate reeds very often.
However, I always have a 2 or 3 reeds ready to play if my main reed feels like it might be not responding to my delight.
I strongly feel if a reed doesn't play and it's weak, you simply can't do a thing to it so throw it out. Save your practice time trying to fix a dead reed and spend your time playing on good cane. You will become a much better player playing on good reeds compared to fighting poor reeds.
Designer of - Vintage 1940 Cicero Mouthpieces and the La Vecchia mouthpieces
Yamaha Artist 2015
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AGH |
2018-05-21 21:48 |
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nellsonic |
2018-05-21 22:31 |
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Arnoldstang |
2018-05-21 22:34 |
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Ken Lagace |
2018-05-21 23:05 |
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kdk |
2018-05-22 05:03 |
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AGH |
2018-05-22 05:22 |
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kdk |
2018-05-22 07:06 |
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Bob Bernardo |
2018-05-22 07:42 |
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William |
2018-05-23 21:17 |
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GBK |
2018-05-23 21:35 |
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Bob Bernardo |
2018-05-24 07:30 |
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Bob Bernardo |
2018-05-24 07:59 |
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