Author: Hurstfarm
Date: 2018-05-14 18:23
As already suggested, Emma Johnson's recordings are a good reference point, as she has generally played wide bore Peter Eatons. I've also used them for the past 20 years or so in a wide variety of settings, and never found a problem blending with other members of the section. Part of ensemble playing is to learn to adjust to who you are playing with in terms of sound, balance and intonation, and they are very flexible. I no longer use them exclusively, but they would usually be my preference for orchestral work.
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The Clarinet BBoard
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