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Re: Messager - Solo de Concours (note check)

Author: kdk ★2017
Date: 2017-11-06 23:42

(All pitches are transposed - not concert pitches). My intuition is that the F-natural is correct as printed. The harmony is ambiguous and the C# and D# follow it's pull, but I don't think anything in the progression suggests raising the F. The next two bars go back to C major (more accurately A minor 7, which is a tonic substitute). The passage at 15-16 *is* moving toward a resolution in G (V of C). and the F# in 16 is part of that, but there's no harmony-driven A# (which would be the analog to an F# in 12) or even G#. So I don't think 15-16 really parallels 11-12.

I only have the reprint in Southern Music's Sixteen Grands Solos de Concerts (edited by Bonade). FWIW, the first edition copy at IMSLP has the same note (F-natural).

Karl

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