Woodwind.OrgThe Clarinet BBoardThe C4 standard

 
  BBoard Equipment Study Resources Music General    
 
 New Topic  |  Go to Top  |  Go to Topic  |  Search  |  Help/Rules  |  Smileys/Notes  |  Log In   Newer Topic  |  Older Topic 
 Baermann Boot Camp for October
Author: nellsonic 
Date:   2017-09-30 22:26

A fun idea for those of us who know we could really use more quality time with Baermann 3 and are willing to do something about it:

http://jennyclarinet.com/2017/09/baermann-boot-camp/

There is a Facebook events page for sharing progress, encouragement, etc.

I'm not the one who put this together - just thought it was a cool concept.

Anders

Post Edited (2017-09-30 22:59)

Reply To Message
 
 Re: Baermann Boot Camp for October
Author: seabreeze 
Date:   2017-09-30 23:44

Working through the entire Baermann III book will certainly develop finger technique, breath control, articulation, and stamina that transfers well to performance of actual music. The main parameter lacking is rhythm. I suggest working through Bona's Rhythmical Articulation and Joe Allard's Advanced Rhythms book as well to practice counting and subdividing beats.
Also, as a painless intro to mixed meter, James Meyer's 30 Changing Meter Duets is a good place to start.

After the Baermann III, Rudolph Jettel's scale and interval exercises, Book 2 of his Klarinetten Schule, revisits much of the Baermann III material with quite a few unexpected variations and problems to solve. Joe Viola's Chord Studies book for sax is also a great workout to develop skill in reading double flats and sharps (because he uses all accidentals and no key signatures). After working thorough his book on clarinet, those accidentals in Richard Strauss don't look so formidable.

Reply To Message
 
 Re: Baermann Boot Camp for October
Author: nellsonic 
Date:   2017-10-01 00:21

Good points. I'm not familiar with some of those books. I'll add them to my list.

One of the main benefits I see from working though Baermann 3 regularly is that it really helps with maintaining embouchure and voicing flexibility through all those interval studies. When I spend time with these I notice that I can be more freely and easily expressive and smoother when I get to actual music.

Reply To Message
 Avail. Forums  |  Threaded View   Newer Topic  |  Older Topic 


 Avail. Forums  |  Need a Login? Register Here 
 User Login
 User Name:
 Password:
 Remember my login:
   
 Forgot Your Password?
Enter your email address or user name below and a new password will be sent to the email address associated with your profile.
Search Woodwind.Org

Sheet Music Plus Featured Sale

The Clarinet Pages
For Sale
Put your ads for items you'd like to sell here. Free! Please, no more than two at a time - ads removed after two weeks.

 
     Copyright © Woodwind.Org, Inc. All Rights Reserved    Privacy Policy    Contact charette@woodwind.org