The Clarinet BBoard
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Author: Tony Pay ★2017
Date: 2016-11-26 04:40
I imagine that most performers judge the third movement to be a relatively trivial piece of music – I can only agree. It's a bit of fun, with some possibly serious interpolations from the first movement – and of course, what Gervase de Peyer used to call 'the Shirley Bassey bit'.
In that spirit, I sometimes follow Kari Krikku's IMO excellent suggestion to play the G on the second beat of bars 72 and 73 with the fingering spTxxo/xoo, which makes it sound a sharp G#, like a snake charmer.
But you can find more in it, as I suggested in my previous post, if you play it slower than very fast.
Tony
Post Edited (2016-11-26 14:32)
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