Author: brycon
Date: 2016-05-12 20:16
Gotcha, I thought you were saying you preferred the d-eb-g that's more often played. But I think we're on the same page: d#-e-g works better.
As far as Marcellus's corrections, the first one you give may be a mistake in the part. If you look at each iteration of that melody, however, you see it's broken up by slurs in a different place until the final time it's played at reh. 9, where it's under a single slur.
I think it can be very beautiful to follow Debussy's slurs and break up the melody each time. Then at reh. 9, make a point of playing it as a long unbroken phrase.
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The Clarinet BBoard
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