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 Mic for clarinet
Author: Vova Doob(UA) 
Date:   2011-08-10 20:18

I want to buy a microphone for my clarinet and i don`t know what is the best model. Help me please!

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 Re: Mic for clarinet
Author: EEBaum 
Date:   2011-08-10 21:26

What's the context? Recording? Playing live?

-Alex
www.mostlydifferent.com

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 Re: Mic for clarinet
Author: Ralph Katz 
Date:   2011-08-11 00:16

Quiet studio? Noisy gig? Accurate reproduction? Feed into effects boxes? Stationary or mobile? Jazz or classical or ethnic or new age or avant garde? Budget big or medium or small?



Post Edited (2011-08-11 00:17)

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 Re: Mic for clarinet
Author: Vova Doob(UA) 
Date:   2011-08-11 11:52

Almost for jazz and ethnic music, live performance, mobile model.

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 Re: Mic for clarinet
Author: Ralph Katz 
Date:   2011-08-12 02:12

Any cardiod mike will work. I have used a Shure SM58 or a Beta 58 for a number of years, and have to stand or sit near them. A convenient device called "The Claw" clips to a music stand - one model accepts a mike clip but I can't find it now:
http://www.lpmusic.com/Product_Showcase/Claws_and_Brackets/lp_percussion_claw.html

A barrel mike is only good with quiet keywork. Otherwise, you will need some sort of suspension system to physically isolate the mike from you instrument. I don't have any personal experience with these, such as the AMT boom mikes, but there appear to be a lot of people who like them. AMT's are pricey:
http://www.appliedmicrophone.com/instruments/profile/Clarinet

I have a Pasoana barrel mike that works well for its intended purpose of providing a clean signal for lots of processing:
http://gypsyclarinet.com/uk/clarinet_pickup

These are the only barrel mike makers confident enough to post MP3's of their various models:
http://www.tap.com.gr/

The AMT's and barrel mikes are suitable for use with many belt-pack wireless systems.

Hope this helps.



Post Edited (2011-08-12 02:14)

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 Re: Mic for clarinet
Author: Vova Doob(UA) 
Date:   2011-08-12 09:28

Thank You!

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 Re: Mic for clarinet
Author: clarnibass 
Date:   2011-08-14 05:55

For jaz and ethnic music... it still depends. Do you even want a mic to connect to your clarinet or do you want it to stand next to you? etc.

I have both the single and double mics from AMT. I like them. Especially the double mic will make your clarinet heavier and a bit annoying to put it on a stand (you have to bend the bottom mic out of the way each time). The single mics will make the clarinet slightly heavier and won't capture as evenly but still very good most of the time. I've tried simialr type of mics from AKG, Shure and SD System. All are fine, sound is a bit different but that will also depend on the sound engineer and sound system (speakers, mixer/consul, etc.) anyway. All are good, I presonally prefer the AMT and although they are pretty well made, they are not the best made ones.

The barrel mics are great for some things and terrible for other things. I most often use a pickup for amplification (on both soprano and bass) but there are issues. Some of them will have parts of the range louder than others. Some might even make specific notes louder (though mine doesn't). You can get a lot of key noise, not much problem on my soprano, a bit of an issue sometimes on my bass. I can make the keys a bit quieter but actually use that key noise sometimes on purpose with the pickup. On soprano clarinet it's really not a problem IMO. The tone will be slightly different from a "normal" mic. The samples on the TAP website (that Ralph posted) sound mostly different because of the player. When I the pickup (also a TAP) it doesn't sound like that. It also doesn't sound exactly like I do without amplification or with a "normal" mic (AMT or a standing mic).

Two dynamic microphones (sometimes even one) or a condenser mic can also be good. Advantage is it doesn't connect o your clarinet... disadvantage is it doesn't connect to your clarinet :)


If you want to connect effect pedals for live then IMO the pickup is best (also depends on the effects you want), though other mics can work too depending on the stage, etc. For some loud stages (e.g. like a rock band) a pickup might work best too. The quality of a pickup will also depend on the sound engineer and sound system a lot. Some types of playing (e.g. slap tongue) can sound different with a pickup.

I guess in your situation (from the little I know about it) I would first look into a mic that attaches to the clarinet like AMT, AKG, etc.

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 Re: Mic for clarinet
Author: Vova Doob(UA) 
Date:   2011-08-14 13:01

Thank you! I think that AMT for me will be the best! Does there any difference between sound in bell area (low E, F, F#,G, Ab) and 1B, 2C, 2C#... when use single mic and double mic models?

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 Re: Mic for clarinet
Author: clarnibass 
Date:   2011-08-15 06:55

Consider the others too (I would probably rate build quality in this order: AKG, Shure, AMT). I just prefer AMT slightly for the sound but it's not a big difference (I would use any of the others). AMT is also the most expensive, with Shure being the cheapest and AKG in the middle (from what I remember at least). The AKG and Shure might be a little trickier to mount if you want them higher and if your bell rim is thick.

You can have a difference between the sound in the bell and throat notes areas with one mic vs. two mics (or combined double mic like AMT WS). It depends on the situation though. In some situations you can use the one clip-on mic and have the entire clarinet amplified pretty well. In some situations you'd have more of a problem, depending on where monitors are, how loud you and/or others need to be, how you are organized on the stage, etc. The double mic (or two mics) can be more even in these situations. In some places I play one clip-on mic wouldn't be good enough and the double mic would have feedback, so I use a pickup. But IMO the weight and inconvinience issue of the AMT WS is not something to ignore either.

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