Woodwind.OrgThe Clarinet BBoardThe C4 standard

 
  BBoard Equipment Study Resources Music General    
 
 New Topic  |  Go to Top  |  Go to Topic  |  Search  |  Help/Rules  |  Smileys/Notes  |  Log In   Newer Topic  |  Older Topic 
 Embouchure exercise
Author: SamKaestner 
Date:   2011-04-05 14:07

I came up with a new (or at least new to me) embouchure exercise. Let me know what you think. http://bit.ly/f4DW62

--Sam

Sam Kaestner
West Point Band Clarinetist
www.samkaestner.com

Reply To Message
 
 Re: Embouchure exercise
Author: Tobin 
Date:   2011-04-05 14:49

Hi Sam,

Interestingly enough I have been working on the same type of exercise, in which I stop the clarinet by placing a rubber plug from a hand basin into the bell of the clarinet and finger low E.

I have been concentrating on the same concepts as well as tonguing with some positive success.

I came upon the idea after teaching a high school student of David Shifrin's while at Virginia Tech this past fall. The stopping of the clarinet and allows a perfect non-variable back pressure during which you can more easily "watch" the fundamentals in play during performing.

James Tobin

Gnothi Seauton

Reply To Message
 
 Re: Embouchure exercise
Author: DavidBlumberg 
Date:   2011-04-06 19:39

Great blog Sam! The Poulenc recording is really good.

http://www.SkypeClarinetLessons.com


Reply To Message
 
 Re: Embouchure exercise
Author: SamKaestner 
Date:   2011-04-06 22:30

Thanks David!

I'm glad you like it.

Sam Kaestner
West Point Band Clarinetist
www.samkaestner.com

Reply To Message
 
 Re: Embouchure exercise
Author: Ed Palanker 
Date:   2011-04-07 15:58

Sam, it is interesting but I've never really thought it necessary to "exercise" one's embouchure if a person warms up properly. Of course, that depends on one's needs. I've never had an embouchure problem myself and as you know, encouraged my students to warm up with some slow scales, 12th, long tones of some sort etc. Also, I've always believed that you can get a warmer tone using more lower lip over your teeth to cushion the tone but I also know that is an individual thing depending on the thickness of one's lip and the lower teeth size and formation. I play with my lower lip placed on my teeth at the point where to pink and flesh color meet, which is the thinner and therefore most sensitive part of the lower lip. For me it works great, especially going from clarinet to bass all the time. I know that does not work best for everyone. People need to experiment to find the best position for them. ESP http://eddiesclarinet.com
PS. I was Sams undergraduate clarinet teacher. :)

Reply To Message
 Avail. Forums  |  Threaded View   Newer Topic  |  Older Topic 


 Avail. Forums  |  Need a Login? Register Here 
 User Login
 User Name:
 Password:
 Remember my login:
   
 Forgot Your Password?
Enter your email address or user name below and a new password will be sent to the email address associated with your profile.
Search Woodwind.Org

Sheet Music Plus Featured Sale

The Clarinet Pages
For Sale
Put your ads for items you'd like to sell here. Free! Please, no more than two at a time - ads removed after two weeks.

 
     Copyright © Woodwind.Org, Inc. All Rights Reserved    Privacy Policy    Contact charette@woodwind.org