Author: clarinet60
Date: 2010-05-24 15:45
I've recently been analyzing several recordings/performances of Debussy's Premier Rhapsody, and have a question for some of our board's top players - In the last two/three measures of the piece, it is marked au mvmt (just after the final run above the three quarter notes). The recordings I have by Harold Wright, Franklin Cohen, and Sabine Meyer they play this rather slow and deliberately. An older recording I have by Gigliotti, he plays the three quarter notes very fast (more reflective of au mvmt), and in my opinion this sounds quite good. Just curious about these divergent interpretations...
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The Clarinet BBoard
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