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 Harrison\Bonade ligatures
Author: NBeaty 
Date:   2010-03-28 22:35

I'm currently using a Rico gold H ligature, the rendition of the Harrison ligatures. Previously (for 5 or 6 years) I was using a Bonade inverted that had been gold plated, but the plating was wearing off.

I was wondering what other ligatures people have used or know of that are in this ballpark of 1) Inverted and 2) gold plated and 3) have a relatively small amount of material touching the reed.

Not a very interesting thread, but I'm curious if there are ligatures that I'm not aware of. Thanks!

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 Re: Harrison\Bonade ligatures
Author: cigleris 
Date:   2010-03-28 23:21

Well how about the Charles Bay?

Peter Cigleris

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 Re: Harrison\Bonade ligatures
Author: haberc 
Date:   2010-03-29 00:30

One ligature you might not be aware of that is a really fine ligature, is the Winslow ligature. It has the option to have two to six rubber heads that touch on the read, independently, in different configurations. It has always made a significant difference for me.

haberc@earthlink.net

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 Re: Harrison\Bonade ligatures
Author: Paul Aviles 
Date:   2010-03-29 11:43

As for gold and inverted, I use the Ishimora, a knock off of the Bonade (that works).


I also have a gold Brancher that I'm quite fond of but I hear they are no longer available.



.................Paul Aviles



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 Re: Harrison\Bonade ligatures
Author: William 
Date:   2010-03-29 16:39

I am (was--I havent seen him in years and fear he is no longer "with us") a friend of John Winslow and was in on the "ground floor" development and trials of his ligatures back in the 80's. I prefer the old models that have the detachable bands as opposed to the later one-piece models--and John suggested to me, ""They might be better". I use his older model ligs on my saxophones & Eb clarinet and a newer model on my bass clarinet--but I am looking for an older version. FWIW, I do not like the Winslow lig on my Bb & A clarinets--too bright with too many overtones sounding in the altissimo. Instead, I prefer the Vandy Optimum with the parallel rails--as do most other clarinets that I know. The main problem, however, with the Winslow ligs is that they are no longer being made and replacement bumpers are getting more scarce. They do become squishy and wear out rather quickly with use. (I'm fortunate to have a life-time supply of these--both the hard and soft versions for both lengths of pegs that John used)

Harrisons are good ligs, as are the Charles Bay models. However, both are fragile and will break if you crank them to tightly (I know from experiance--LOL) Hope all this cyberblab is useful.....good luck.

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 Re: Harrison\Bonade ligatures
Author: David Niethamer 
Date:   2010-03-30 02:08

BG makes a gold "inverted" ligature which is quite good and very pricey @ almost $100.

David
niethamer@aol.com
http://members.aol.com/dbnclar1/index.html

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 Re: Harrison\Bonade ligatures
Author: trice035 
Date:   2010-03-30 03:16

I have been wanting to try one of these Branchers. They look interesting.

http://shop.weinermusic.com/Brancher-Clarinet-Ligatures/products/1659/0/3



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 Re: Harrison\Bonade ligatures
Author: Ed 
Date:   2010-03-30 03:37

These are excellent:

http://www.musiquedemarc.com/en/index.asp

I was pleasantly surprised at how very good they are. They are well made and designed. Tone and response are better than most of the similar styled ligatures.

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 Re: Harrison\Bonade ligatures
Author: saxlite 
Date:   2010-03-30 05:25

I have been very pleased with my Rovner Legacy ligs. This is a new model, just out. It has minimum contact with the reed but holds it securely along the sides. They are inexpensive as compared to most of the other minimum contact types. If your local store doesn't have them yet, you can order them directly from Rovner. Definitely worth a try!!Ed wrote:

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 Re: Harrison\Bonade ligatures
Author: Paul Aviles 
Date:   2010-03-30 10:16

-Extends your performance boundaries!
-Superior articulation
-Locked-in intonation
-Unsurpassed harmonic richness
-Can dominate amplified instruments even when unamplified
-Delivers great cut and projection
-Play your softest notes with subtle nuance
-Wail with power and authority

Just picked this up off a dealer's website concerning the NEW Legacy.


All I can say is I hope Rovner didn't actually write that copy.



...................Paul Aviles



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 Re: Harrison\Bonade ligatures
Author: Tobin 
Date:   2010-03-30 11:58

Inverted, with little contact with reed:

Peter Spriggs floating rail ligature. Love how responsive the reed is. The way I deliver the sound, it is too bright (rings too much) for me.

Inverted, little contact with reed, and CHEAP:
The Luyben ligature. If it is put on properly it works wonderfully. Only $12.

James

Gnothi Seauton

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 Re: Harrison\Bonade ligatures
Author: Ed 
Date:   2010-03-30 12:04


Paul said "All I can say is I hope Rovner didn't actually write that copy."

http://www.rovnerproducts.com/legacyintroduced.pdf

I hear that if you have it you no longer will have a need for Viagra, Botox, Lipitor or Rogaine!

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 Re: Harrison\Bonade ligatures
Author: A Brady 
Date:   2010-03-30 15:17

The inverted, silver plated, cut-out Bonades from Muncy Winds are excellent. I am also playing these on Bass and E-Flat, although they are not available silver plated for these instruments.

Highly recommended!

AB

AB

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 Re: Harrison\Bonade ligatures
Author: Don Berger 
Date:   2010-03-30 15:17

There are a whole host of ligature patents {US}, ? 50+ ?,so a "clarinet [and sax] ligture" search on Google Patents or USPTO sites will give you a lot to look up ! I'd suggest picking a later patent and view the "References Cited" section to find many ?famous names". Finding my "O-Ring" lig, I go it one better to use 2 or 3 OR's to lightly hold the reed in place. Luck, Don

Thanx, Mark, Don

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 Re: Harrison\Bonade ligatures
Author: saxlite 
Date:   2010-03-30 15:28

Re: the new Rovner Legacy ligature-- as a career marketeer, I must admit that the hype on the web link is definitely over the top. However, I first encountered the Rovner Legacy at this January's NAMM show, where one was just casually lying around at the Conn-Selmer stand; no special marketing stuff. I tried it vs. my Bonade and was very impressed by the improvement in my projection. This was also noticed by other folks around me. Fred Rast, an excellent player, teacher and mouthpiece maker then tried the Legacy and agreed with my observations. I went home from the show and immediately ordered one for my Bb as well as my alto sax. I love 'em! I'm going to get them for my Eefer and the rest of my saxes. All hype aside, this is a great lig at a very fair price.

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