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 Shosty 9 question
Author: grenadilla428 
Date:   2009-09-30 12:15

Hey, quick question about the Schostakowitsch symphony 9:

In my copy, in mvt. 2 m. 42, I have a written G flat. In recordings I've heard, this note has been played G natural with the following note a G flat.

Which is correct?



Post Edited (2009-09-30 14:37)

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 Re: Shosty 9 question
Author: GBK 
Date:   2009-09-30 19:12

I've always played the first G as G natural and the second G as Gb.


...GBK

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 Re: Shosty 9 question
Author: grenadilla428 
Date:   2009-09-30 19:43

These were live performances by two different orchestras - are there multiple editions of the piece out there?

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 Re: Shosty 9 question
Author: Gregory Williams 
Date:   2009-09-30 21:55

A quick google search of:

Shostakovich 9 measure 42

led me to the Major Orchestra Librarians Association errata list for Shostakovich Symphony No. 9. It seems they believe that there is a mistake in the Kalmus Score, where the note in question is incorrectly listed as a G-Flat.

The Boosey and Hawkes pocket score has G - Natural.

I can't remember what Burt Hara played when the Minnesota Orchestra performed the piece three years ago.

If you're performing the work, ask the conductor/librarian...you might want to bring the errata list with you.

For an audition...play what is on the stand in front of you...it probably won't hurt you to do that...even if the parts are incorrect

BTW: Chicago mailed out music for their upcoming audition...there are back to back G-flats in that music.

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 Re: Shosty 9 question
Author: GBK 
Date:   2009-09-30 22:05
Attachment:  Shostakovich_Sym9.pdf (308k)

Here is the Major Orchestra Librarians Association errata list for Shostakovich Symphony No. 9 which Greg mentions.

Note carefully pages 9 and 10.

...GBK

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 Re: Shosty 9 question
Author: cigleris 
Date:   2009-09-30 22:23

This is kinda why I don't trust Kalmus parts. For those interested in (general) errors in the main orchestral repertoire then get Norman Del Mar's book Orchestral Variations. Very useful book especially to conductors.

Peter Cigleris

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